After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a chainsaw-wielding killer and his family of equally psychopathic killers.
A man goes to see a psychologist to explain how an evil creature is responsible for the deaths of his three children.
Dr. Desai is desperate to prove the existence of an afterlife. Unfortunately for one feisty prostitute, Cheri, his obsession will become her nightmare in a battle for survival.
Admitted to Mt. Abaddon Hospital for a routine procedure, George Grieves discovers that his condition is much more serious and complicated than originally expected; and as his own fears begin to manifest around him, he learns that Mt. Abaddon is not a place where people come to get better... it is a place where people come to die.
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
A camera tracks through endless rooms while lives unfold.
A railway controller and his sweetheart live in peace next to the railway tracks. Out of nowhere, an umbrella flies into their life.
The church enlists a team of vampire-hunters to hunt down and destroy a group of vampires searching for an ancient relic that will allow them to exist in sunlight.
George Albert Smith's remake of Georges Méliès - Le Manoir du diable (The Haunted Castle) from 1896. This film is lost or never existed. Copies of it online are actually a Méliès film.
Based on the popular phone service, "How To Make a Sandwich" is a short film directed by Drake Sanderson that depicts the rise of media star, Peter Willard, and his acclaimed sandwich-making skills. From breads to meats to condiments, follow Peter as he teaches you how to make the perfect sandwich!
Four friends struggle to find a fifth player for their weekly poker game.
A harvester must safely carry her eggs across a difficult and threatening landscape.
An evil yet adorable Gingerbread man comes to life with the soul of a convicted killer, and this real life cookie monster wreaks havoc on the girl who sent the killer to the electric chair.
An evil record tycoon is haunted and taunted by the disfigured composer Winslow Leach, whom he once wronged.
After being released from prison, a young gangster with a chip on his shoulder decides to punish society by making snuff films.
View is an imaginary story, but also a reality of a "child" who thinks that her "mommy" has left her behind because she does not love her anymore. The View speaks of children's feelings, evident in many broken families. Since the story is told from a child's point of view, the memories which the child conveys are mostly exaggerated and could be misrepresented. Still, a child's point of view tells the most truthful stories.
Two friends are on their way to a burlesque party.
A homeless man living in a derelict building is obsessed with a vision of a mysterious woman that visits him every night. Inspired by a fable from the Santal Parganas Folklore.
A superstitious Chinese student locks herself into a lease at a luxurious New York apartment, only to realize that her bedroom was the site of a recent homicide.
Story of an alien arriving on planet Earth, in search of a human specimen.