Whoever is Responsible

Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.

Arte Mexicano

Llamen a un adulto (Sepiaexperimental)

A new reading of the historical period that began with the reign of the Catholic Monarchs (1479-1516) and the discovery of America (1492), as well as an analysis of its undeniable influence on the subsequent evolution of the history of Spain and the world.

The novohispanic equestrian statue of Charles IV of Spain is relocated in Mexico city.

This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.

At the 1968 Mexico City Olympics, the silent protest of Tommie Smith and John Carlos changed The Games forever, becoming one of the defining images of the 20th century.

Documentary on water usage, money, politics, the transformation of nature, and the growth of the American west, shown on PBS as a four-part miniseries.

“Archeology” and “Archive” share the same roots. Both words come from “Arkhé”, the Greek word for “origin”. In the ruins of buildings, lost forever by earthquakes, as in the depth of the archives, we dig. What happened the morning of the big earthquake? The morning of September 19th 1985 is fading away in our memories. These recordings have never been seen. Unedited images of the catastrophe dug out by the archaeological adventure of an archivist that suffered with them. He dug and suffered until he could no longer see.

On October 2, 1968, a student uprising descends into violence after the Mexican government begins to use lethal force against the protesters.

The sofa, the fire, the silhouette. A home that disappears in ashes. After thirteen years of mental and physical confinement in that house, another confinement was necessary to face those images. Family photographs (90s-00s) and personal video archive footage filmed in 16mm and MiniDv between March and April 2019 during the move and the burning of the sofa, edited in quarantine, April 2020.

An audiovisual portrait about La Merced neighborhood in Mexico City

In 1987, the film director and video artist Sarah Minter, made the documentary exercise Nobody is Innocent, a film that portrayed the daily life of the youth gang Los Mierdas Punk, from and residents of Ciudad Neza, State of Mexico. More than 20 years later, Minter returns to the streets where the tape was recorded to reconnect with the original members of the band, who today are around forty years old and still live in the same places.

A storyteller, mime and actor, at the age of 86 years old, self-represents and tells the story of his life, moving between reality and fiction; showing us how art and imagination change the way we see life. A poetic journey between creation, play, loneliness and old age.

It is a collaborative project that was developed from the documentation collected in extensive travel through four Latin American cities: Mexico City (Mexico), Buenos Aires (Argentina), La Paz (Bolivia) and Lima (Peru). The result is a new journey constructed with sound and animation. This reconstruction was made from the memories of Mexico city , from the interaction with each city and with epistolary communication.

A film about fragility; about a man obsessed with photographing the accident who discovered that the fate of others was his way of connecting to life. When does the image of the accident become the object of desire? Following the footsteps of Metinides and the work of contemporary tabloid photographers, we discover Mexico City through a narrative of crime scenes and accidents; rubbernecking though Metinides’ Gaze.

Carmina, a 20-year-old girl, hopes to have a night like any other in the city, which unexpectedly turns into an introspective, cathartic journey into her turbulent past when she accepts an invitation from a man much older than herself to visit his apartment. This direct film experiment captures an overwhelming real-life patriarchal dynamic.

Tribute to the workers responsible for maintaining and repairing the tracks, stations, terminals, and tunnels of the metro.

An exploration of modern ruins that seeks to record the traces of time in Mexico City.

VISITAS