Alvoroço Nas Escolas

23 Disparos

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

A documentary exploring sexism and patriarchy in Kosova.

Carnet de identidad

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

Five stories about dignity in the capital of Peru. A local leader looking for someone to leave the post of her complex work, a tourist guide who is a patron of the architectural heritage and Creole music, an ex-delinquent rescued by the Evangelical Church, a teenage dancer of Afro-Peruvian music forced to emigrate and a muralist of Bellas Artes son of Andean migrants, they try to get ahead in Barrios Altos, the most feared – but also most beloved – historic neighborhood of Lima.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Jeffrey Catherine Jones is one of the most revered comic book and fantasy artists of all time and a complex character with an unusual life, an ideal subject for an insightful and captivating documentary. Tracing the early history as part of The Studio with fellow artists Bernie Wrightson, Barry Windsor-Smith and Michael William Kaluta through to gender transition in later life, Maria Paz Cabardo assembles a collage of artwork and archive alongside interviews with collaborators and some touchingly intimate conversations with the artist herself shortly before she died.

An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.

A look-back at popular French movie "La Boum" (The Party).

The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.

Johnny Knoxville, Steve-O and Chris Pontius join the annual race around Europe, have fun in other countries, and get in some trouble along the way.

Portrait of The Church of the SubGenius in scratch, which means high speed cutting, media manipulation. Contains clips from the Arise, the Church's own film about itself (recrutment video), the SubGenius MTV productions, and TV interviews with sacred scribe Rev. Ivan Stang, intercut with a barrage of weird clips from movies and television.

Guy Debord's analysis of a consumer society.

Le Fils

Tu nourriras le monde

What makes a male, and what makes a female? Where do we draw the line, and does it really matter? Sharon-Rose Khumalo, a South African beauty queen, plunges into an identity crisis after finding out she is intersex. In her quest to deal with gender dysphoria, she needs the guidance of somebody just like her. The only person who will help is Dimakatso Sebidi, a masculine presenting intersex activist, who turns out to be her complete opposite. The two parallel but divergent stories offer an intimate look at the struggle of living in a male-female world, when you are both or neither. For the first time in a creative documentary, Who I Am Not gives a voice to the long ignored and mostly silent two percent of the world's population: the intersex community.

A short city symphony evocation of present day Mexico City five hundred years after the invasion of the Spanish and the fall of the Aztec city of Tenochtitlan.

Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.

Documentary about stunts and their recognition in the film industry. Without their selfless contribution to film, the movies we know and love, would not be nearly the same. It is the art of ACTION that allows us to experience those thrilling moments Just as that famous Director's saying goes, "Lights, Camera. - ACTION!" There is an understood, yet UNSUNG value to the last of those three necessary components in film-making. Directors, Producers, and Studio Execs all know that the work of Stunt Professionals is an effective way to motivate people into the box offices and to help captivate an audience during Award Shows. Many people do not know that Stunt Professionals do not get an Academy Award, even though they are the ones who literally risk life for their life's passion. In Praise of ACTION makes a statement why Stunt Professionals are being forgotten in the biggest film awards ceremonies? This is the right time to talk about it.