Las flores que arrancas

Wedding rituals grounded on non-verbal social agreements represent the perception of society in general. Wedding dress is a symbolic part of these rituals. The process that a wedding dress has went through can be considered as an embodiment of the formation of women identity in society. Like most of the women, wedding dressmakers also dream of being a princess once they wear their wedding dress. On the other hand, dressmakers are certainly aware of the fact that they promote the already existing image of women in society because of their job. While they also recognise the truth is way different.

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.

This documentary film looks into femicides in Italy, where one woman is murdered every three days. By focusing on cases that rocked the country, the film tries to understand the reasons behind the phenomenon.

After their mother's femicide, three siblings are separated and forced to live in different places. Years later they gather to raise their voices and fight to be made visible in a country where orphans for femicide are ignored by the state and invisible to society. It's up to them to tell their story.

In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”

Documentary short about Mexico's femicide crisis.

Documentary short about Mexico's femicide crisis.

CORPUS explores the mass adulation and explosive posthumous recognition of Selena Quintanilla, the Tejano rock singer murdered by the president of her fan club in 1995. Pushing beyond the mainstream media's fascination with her violent death, Portillo interviews Selena's family and friends as well as the devoted fans that pilgrimage to Selena's grave in Corpus Christi, Texas, to pay homage to the slain star. Moving and provocative, this humble investigative portrait explores Selena's cultural significance as a pop icon and shines a light on the hopes, fantasies, fears, and realities of young Latinas today.

On March 15, 2020, Montreal sees appearing on a wall, written in black letters on white paper "Stop feminicides". It is at this moment that the Collages Feminicides Montreal collective sees the light for the first time. Now the streets of the city are carpeted with their words. Today, after the 17th feminicide, they will continue to fight and stick, until this violence stops.

A documentary examining the mysterious deaths of three young Indigenous women in south-central Montana, featuring access to family members, tribal officials, law enforcement, and community activists.

An epic investigation into countless murders in Mexico. Presented in chapters, the film unfolds methodically through unsettling testimonials, sketching a portrait of an entire country transformed into a gigantic mass grave thanks to a climate of impunity established by both criminal gangs and state authorities.

Chahinez in Merignac was burned to death. Rebeccah stabbed to death in Berlin. Vanessa in Hanover doused with acid. In Barcelona, 5-year-old Leo was suffocated by his father. He wanted to kill his mother emotionally. The men who did this to the women were once very close to them, as husbands or partners. And the women had one thing in common - they had wanted to separate from their partners.

Não Tenho Escolhas

Mexico is one of the countries worldwide with the highest rate of femicides, the murder of women because they are women. The mothers of two murdered girls became active in feminist collectives to demand stricter laws from the government. Film maker Angélica Cruz Aguilar shows the situation of the families of the murdered women, but also the fight of women for justice and security.

Documentary short about Mexico's femicide crisis.

Northern Mexico - 1997. Ulises, a detective tired of the violence that his work and country present, narrates in detail his last case before retiring: The disappearance of Lucía Pardo.

A surprising and humanistic drama that questions the meaning of happiness through the strange fate of one man who caused an accident. One night, a taciturn and clumsy man working at a scrap iron factory in the suburbs of Tokyo, causes an irreparable accident with his colleague. The two try to hide the incident but the man’s fate takes a turn for the worse and his colleague and family are faced with threats to their survival. A psychologial thriller that reveals the ills of Japanese society along with the darknesses of the human heart based on a script full of surprises written by the director Dai Sakō. Tomomitsu Adachi, who plays the lead role, exudes an eerie charm, and is flanked by many of Japan's best supporting actors such as Yutaka Matsushige and Shohei Uno.

The men- murderer Margot is now in prison, separated from her sister, her loving accomplice. She stands up to a morbid reporter with vicious statements on their man-hate genesis during a live broadcast.

Using a faceless doll criminal reenacts a brutal crime. But surprisingly he is not the one being judged. There seems to be an odd one out in the investigative group. The film premiered in the Berlinale Short competition programme.

A young ASMR vlogger finds out just how dangerous the internet can be for women.