Pixel Forest

A transgender teenage girl on summer vacation in LA fights to survive after she falls in with four queer feminist vampires, who try to rid the city's streets of predatory men.

Ukraine's topless feminist sensation Femen has created a media frenzy across Europe, but before they take the world by storm, these bold and beautiful women must confront the dark and perverse forces that power their organisation.

Faux documentary told in first-person narration, about an "adventuress" who sets sail to Guatemala with her father and two male crewmen, rescues them when their fresh-water supply is compromised, finds a treasure map, and attempts to steal a fabulous emerald from a ruined temple, much to the aggrevation of a worshipful native princess and her subjects.

1-channel film installation (21‘20‘‘). 2.00:1 aspherical widescreen, stereophonic sound. A wife waits for her dead husband. An adaption of three japanese poems in three different translations. An examination of waiting and the slowness of time. An exercise in slow cinema.

This personal and compelling portrait follows Gudrun Schyman, spokesperson of Sweden's Feminist Initiative political party, as she moves between small towns, refugee camps, and the corridors of power.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

The Other Side is a double-screen video installation commissioned as part of Breakwell’s residency at the De La Warr Pavilion in Bexhill-on-Sea, East Sussex during the summer and autumn of 2000. The film was shot on the Pavilion’s upper landing, the camera positioned looking out through the curved windows of the stairwell across the exterior balcony to a view of the sea and the horizon. It comprises two alternating sequences projected onto either side of a free standing wall. Footage of elderly couples ballroom dancing on the balcony outside has been slowed down to the rhythm of the accompanying soundtrack, an extract from Franz Schubert’s Nocturne in E-flat Major (Op.148) overlaid by the sounds of breaking waves and seagulls. In the alternating scene, played to the same sound, panoramic vistas of the view out of the building towards the sea and horizon beyond are empty of human presence.

In response to political pressure from Senator Lillian DeHaven, the U.S. Navy begins a program that would allow for the eventual integration of women into its services. The program begins with a single trial candidate, Lieutenant Jordan O'Neil, who is chosen specifically for her femininity. O'Neil enters the grueling training program under the command of Master Chief John James Urgayle, who unfairly pushes O'Neil until her determination wins his respect.

Barbara and Brava, two reporters from gynocentric country "Vulvopotamia" make a report of their journey somewhere in Mexico, on a mission to fight the inequality crisis by promoting woman made films to citizens.

This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.

In 1962 New York City, love blossoms between a playboy journalist and a feminist advice author.

It is 1913. Women across the country, outraged by inequality and prejudice are beginning to rise up and demand change. In York, a revolution is about to take place as an ordinary Heworth housewife risks her life and her family to join the fight. And she's not alone. Across the city, women run safe-houses, organise meetings, smash windows and fire-bomb pillar boxes. It's dangerous, it's exhilarating, it's ground-breaking: and in 2017 the amazing story of York's suffragettes will be told for the first time. Everything is Possible is York Theatre Royal and Pilot Theatre's latest large-scale community production. The play was performed on a spectacular scale with a cast of around 150 and a choir of 80. The performance started outdoors before moving onto the stage at York Theatre Royal. We raised the purple, green and white flags and cried "Votes for Women!" to sold-out audiences.

She's Not Alone is a social enterprise short, that exposes the lack of safety in rideshare services, particularly for women and gender-diverse people.

Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.

This music video comes from a position of feminine self-expression and autonomy. We stand as witnesses to a woman giving birth to another part of her identity. In this case, let’s take it in a literal sense as we will see The Saint pushing The Whore out of her body. We begin with these two women celebrating their sensuality and having a firm grasp of their autonomy. And then as the story progresses, we are introduced to a new character who’s convinced it’s his right to take that agency away. But he’s clearly misguided. DIVA! is the pursuit of amplifying the very fact that The Saint in us can co-exist with The Whore as well as The Bitch, The Slut, The Boss, The Motherfucking Diva, and a lot more. It is a celebration of our endless rebirth.

Aster and Sidney

2 Small Channel Video Installation, featuring a monologue excerpted from an untitled novel by Alissa Bennett

A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit.

Falling Frames is the first fragment of a series in which Langkamp explores the framing and visualization of three-dimensional perspective through the two-dimensional medium of video, both technically as well as conceptually. To record the work, a special device was built that's attached to a tall industrial crane, which contains a stack of wooden picture frames that can be released from a height of ten to fifteen meters. The camera is placed right in the center of the action and captures the frames' movement while they fall down. The slow motion recording of 240 still frames per second allows us to experience every millimeter of movement to the very detail. While the frames get smaller and smaller in perspective as they move further away from our view, they are immediately followed by the next frame and the next one, until they've all reached the floor and found a place to rest.

The virtual world generated by the real world of the twentieth century is growing exponentially, like an organism in a Petri dish. Crossing its own borders in to new zones, it absorbs its founders and mutates in to something absolutely new. In this new world real wars look like a game on americasarmy.com. Prison torture appears more like the sadistic exercises of modern-day valkyries. Technologies and materials transform the artificial environment in to a fantasy landscape of a new epoch. This paradise is a mutated world where time is frozen and the past is neighbor to the future.