Meryl Streep: Mystery and Metamorphosis

A gentle portrait of the mythical Spanish actor Arturo Fernández (1929-2019) in the hour of his passing, in his own words, through his latest interviews, not previously broadcast, and the words of those who knew him thorough decades of charming and good performance on stage, his true home, as well as in cinema and television.

The incredible story of Bruno Lüdke (1908-44), the alleged worst mass murderer in German criminal history; or actually, a story of forged files and fake news that takes place during the darkest years of the Third Reich, when the principles of criminal justice, subjected to the yoke of a totalitarian system that is beginning to collapse, mean absolutely nothing.

Matthew Perry: Not just Friends

Documentary about Brazilian actress Fernanda Montenegro. The first South American and the first Latin American actress to be nominated for an Academy Award for Best Actress.

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

A lonely house-wife’s plan to end it all takes an unexpected turn when her last hurrah begins a radical journey of sexual exploration and personal re-invention.

An exploration of the exotic locations of 'The World Is Not Enough'

Promotional documentary filmed at the London East End Docklands area and River Thames for the filming of the opening boat chase for The World Is Not Enough (1999).

Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country.

30 years after Basic Instinct, Sharon Stone is still stigmatized for her role as a sexual psychopath. But the Oscar nominee has always fought against domination. She embodies the independent woman of the 21st century, who refuses to be invisibilized and a "passive" object, subjected only to the male gaze.

When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.

Documentary about master director Roberto Rossellini, who tells details of his life and childhood and visits the places where he has lived and shot some of his most famous movies.

In 1981, a film about the misadventures of a German U-boat crew in 1941 becomes a worldwide hit almost four decades after the end of the World War II. Millions of viewers worldwide make Das Boot the most internationally successful German film of all time. But due to disputes over the script, accidents on the set, and voices accusing the makers of glorifying the war, the project was many times on the verge of being cancelled.

A cinephile collage, both historical and philosophical, of films on artificial intelligence, cyberspace and virtual reality, from 1981 to 2001: cinema as a way and an instrument to cope with humanity's euphoria, anxiety, fear and obsession with technology.

Jane Birkin has forged a unique bond with France and the French. Between the small Englishwoman, muse of Gainsbourg, then of Doillon or Chéreau, and her adopted country, love at first sight was immediate and lasted for more than fifty years. This documentary goes back, through the prism of this unique bond, to the life and career of a peculiar artist in the French musical and cinematographic landscape. The intimate portrait of a freedom-loving woman.

Born Ruby Stevens, she was orphaned when she was four. A chance audition led to a chorus job. By 17 she was a Ziegfeld Girl. At 20 she earned excellent reviews for a bit part in a Broadway play — and she had a new name: Barbara Stanwyck.

The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.

Mylène Farmer : sur les pas d'une icône

Omnibus: François Truffaut

In 1966, German film critic Theodor Kotulla — who would go on to become one of the New German Cinema's most uncompromising filmmakers — visited the set of Robert Bresson's "Mouchette" (1967) and created this half-hour documentary about the director. It won the 1967 German Film Award for best short documentary.