Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Documentary about Czech filmaker Vera Chytilova.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
End of adolescence, end of school, the last summer before joining the working world for a group of friends from the neighbourhood of Alcoitão, "BDA".
Film about the Ethiopian famine of I984/85 and the measures taken to combat it
Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
Wege Gottes
By the director: "Ar.Co embodies each person’s geography, it escapes normalisation. Each individual’s experience is his own. This film is my experience, our experience. Pieced together from the school’s archive, from recordings of classes by Manuel Castro Caldas and from conversations at home."
Anthology of short films about the French city of Nice, by various directors. A homage to Jean Vigo and his "À propos de Nice" from 1930.
This Documentary goes over how the special effects in the 1981 film "Scanners" were done.
Correspondances
The documentary, made by the students of RUFA documentary course, followed Alice Pasquini for many months, resuming her pictorial interventions, interviewing friends and family, collecting archival material and participating in meetings for the realization of the book. The flow of images is a sort of specific itinerary that Alice Pasquini takes when she decides to give form and substance to what her mind imagines.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
Ashes
Person is a documentary about the life and work of filmmaker Luiz Sérgio Person. The documentary brings the reconstruction of the history of the São Paulo filmmaker through the personal journey of his daughter, Marina. Through interviews with friends, family, and people who worked with Person, she seeks to discover more than dates and biographical data.
In 2003, the infant Chinese twin sisters Mia and Alexandra were found in a cardboard box. They ended up in an orphanage and were put up for adoption, at which time the authorities apparently decided that it was a good idea to separate them, and to keep silent about the fact that they were twins. Twin Sisters tells their story from the perspective of both sets of adoptive parents: one from Sacramento, California, the other from a tiny village in picturesque Norway. Through a series of coincidences that they later attribute to fate, the parents meet each other during the adoption procedure in China and launch an investigation that reveals the little girls are sisters.
This short film profiles the benevolent Mike Sullivan, who has been in the process of shooting a stop-motion robot sex film in his New York City apartment for the last ten years. Obsessed with the meticulous construction of the miniature robot porn stars, his apartment now overflows with thousands, leaving him only tiny paths to navigate and no place to film his epic.
After a "diplomatic mission" into a neighboring town Kell returns to his town to see that his not so bright team of idiots have screwed up everything.
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
A Bit of Scarlet excavates clips from Britain's cinema archives to create a moving and humorous testament to the closeted gay and lesbian images from filmmaking's earliest days.