The Border

El Regreso is a venezuelan movie written and directed by Patricia Ortega, which tells the story of a Wayuu girl that survived the slaughter of his people, in Bahía Portete from the Colombian Guajira, and therefore, she is forced to grow in a unknown world to her.

Ryuzo, Japanese young man who has committed a crime of passion in Tokyo, is sent by his father to Paraguaipoa to escape justice. In this place, inhabited by the Wayuu ethnic group, meets Princess Campanula. Among them was a love affair, not welcomed by the smuggler Challenger occurs.

A detective, goes from Spain to the Venezuelan Guajira, hired by the king of Wuayuus, to protect her, Niña de Maracaibo (wife of King, who belongs to an aristocratic family in the city) the detective tries to discover a conspiracy greater than initially imagined. Where he is only one piece in a plot which mixes smuggling, power struggles and tribal magic. The clash of two opposite visions, the 'Western' Spanish researcher, and the 'native' the Wuayuu original owners of Caribbean, converts this format film apparently 'police' in a thesis film revealing the mystery of the still existing singular South American identity.

The sound of metal creaking as if something is about to break. An old pickup truck adapted to carry passengers crosses the La Guajira desert in Colombia. With the wind come voices that merge among the passengers who travel there. A Wayuu woman returns to her territory, accompanied by her family, after years of exile due to a paramilitary massacre. A cyclical journey where the time layers of the territory touch and the border between the living and the dead is diluted.

Viviana and Yandris weave red and yellow yarn into bags. In the distance we hear the hammering of machines, the wail of sirens and the thunder of explosions.

During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

When a girl in the Wayuu tribe has her first menstruation, begins her transformation from girl to woman, locked up and isoleted by the rest of her family for at least a year, learning the most ancestral traditions of her Wayuu ethnic group.

A sizzling sauna drama that follows Elias on an intense and absurd internal journey

Pseudonym Hans Fallada

Shelby is a very recent Wellington graduate who finds herself on the way to a party she really doesn't want to go to. Things take a better turn once she strikes up conversation with an eclectic and inhuman stranger.

A village nestled in the mountains. Winter is harsh, Jules is struggling, and his only sun is Bachir. The two men love each other, yet Jules is suffering: his father, with whom he lives, is going through an insoluble grief and is lost in his delusions. It's time for Jules to accept that one cannot bend ties to one's will alone. Relationships fade while love, sometimes, remains.

Seven-and-a-half-year-old Lio grows up in a fragile family, a precarious balance that increasingly worries her and plunges her into strange dreams where imagination and reality merge. When the announcement of an impending storm strangely coincides with one of her dreams, Lio finds herself alone facing her anxieties and the urgency of the situation.

Ni tele ni pizza

A terrible secret is hidden between the walls of an old house, the past returns and now, for Irene and Alberto, the moment of their condemnation and destruction has arrived.

a young filmmaker, struggles to write a film. Every idea he clings to dissolves into doubt, pulling him into a spiral of hesitation and contradictions — a mental maze with no clear way out.

Rizki, completely inexperienced in love, meets Lia on a dating app and quickly falls for her. But when his best friend voices a suspicion, that Lia is a catfish using a face swap, Rizki's world is thrown into doubt. He must now embark on a mission to uncover the truth about the girl behind the screen.

Harper wants to know why her relationships keep failing. In an attempt to understand, she enlists two of her exes to help her look at their past through an anthropological lens.

It is a remake of the 1973 Tamil film Pookkari.

A young woman goes to the police to report a sexual assault. But instead of protection, she’s met with questions that make her feel guilty.