The Sacrifice of the Druids

BLUR tells the story of Iago, who's had health problems and speech impediments, until he meets Isabela, who will help him find meaning after surgery.

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

The „Haelgung“ films are charmingly impressionistic diary entries, crafted as mini homages to my closest friends, captured with a delightful lack of planning or structure and edited in camera.

CÓRREDOM features a troubled egos race, disputed by 7 characters who, possessed by their rhetoric, lose the focus of the end goal and stop along the way. Informed by reality show dynamics and tackling Brazil's colonial past, the film is an experimental satire about what it means to be a winner in Brazil today.

Dangling from a high window, a young non-binary person is on the cusp of life and death. Flashes of film, literature, art (paintings) and cultural history pass them by, as if to tell a message. A postmodern treatise on connection to culture and the past.

The protagonist recalls her past while her daughter is going to leave her forever. Years ago, the protagonist came from a province to a big city to get rid of poverty. Marriage to a gangster didn’t make her happy. She fell in love with her husband’s accomplice and soon got pregnant. Murder seems the only solution to the lovers…

A man (James Devereaux) sits on a park bench talking to the camera, trying to weave together a thought that won’t cohere while commenting on passers-by, his ‘guests’… Mysterious images intervene, overturning the serenity of the park-bench monologue. Rouzbeh Rashidi’s feature proves as engaging as it is elusive.

The Middle explores memory through Maggie, a Nova Scotian photographer in her mid-twenties whose perspective shifts when she moves to Toronto and falls in love. Through a split-screen, the film examines the moments in one’s life that are remembered together, revealing how intertwined memories shape our identity and propel us toward the future.

This short film, built around a randomly chosen name and composed of scenes shot within a single room over the course of three hours, features an introspective monologue that was shaped and adapted during the editing process. The narrative aligns closely with the emotional tone and visual rhythm of the piece, particularly in harmony with the non-original music selection, Maggot Brain by Funkadelic.

Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.

An outrageous erotic poem focusing on the daydreams of a beautiful boy prostitute who, from the seclusion of his ultra-kitsch apartment, conceives a series of interlinked narcissistic fantasies populated by matadors, dancing boys, slaves, and leather-clad bikers.

The film poem about pesticides reflects on the return to the natural food chain, in which insect pest serve as food for the higher order. The harmonic cycle of life and death, the temple that is the wildflower field resounding with the inebriating sound of crickets chirping and wheat spikes rustling in the wind, is invaded by the human, the ultimate consumer with no natural predator.

El espíritu del animal

In the middle of the night, a sleepless subject rediscovers the ability to use their hands to produce and play with shadows on the ceiling.

This video takes a particular viewpoint, with the camera placed behind a zone of blur. Slowly, we experience the perception of an expanded time. An expectation is created and resolved in the observation of the passage of boats that dissolve into the nebulousness, disappearing from our sight like a mirage.

A visual epic about subliminal longings and the aesthetics of suffering. A work of atmospheric images and sounds dedicated to the retina, the eardrum and the soul. The young Inuit - the sea seems to have washed him up one day, to some place forgotten by God and time. Time, which is commonly called life, sticks to his fingers. Three steps behind him leaps the parasite of eternal suffering. The story begins in this enraptured sphere, focusing on a series of episodes in which the young man's fate takes its course: in a strange world that knows its own laws.

A tale of a wandering girl

Tommy sets out to document walking. He meets a colorful cast of characters, attaches microphones to his feet, and contends with what it means to capture movement on film.

An unnamed character is trapped in a cubical white room where others can enter and leave, but which he himself apparently cannot leave. A stool is brought in covered in strawberry jam, the furniture changes throughout the play. The main character is subjected to an increasingly puzzling and frustrating series of encounters, as a variety of people come through various hidden doors. But, as many remind him, he can only leave through his own door, so he must find it.