A Farewell to Throwaway Life

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

The documentary follows a group of Latin American environmentalists and scientists on their risky expedition through the second largest coral reef in the world.

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

Plastic Odyssey

Maura is a black woman, mother of 7 children and recyclable material collector in one of the largest cities in Latin America. While she works hard to maintain herself, she has to deal with prejudice, invisibility and the ignorance of those who do not recognize the value and important role of the recyclable material collector bring to the city, as an environmental agent.

This underwater ballet is an ecological story depicting our paradoxical relationship with plastic. Bakelite launched the #SickOfPlastic campaign from On Est Prêt, along with the Surfrider Foundation, Break Free from Plastic and the Resilient Foundation. Photography was directed by Jacques Ballard, a specialist in underwater cinematography.

María and Isabel are two women in their fifties who, like many others, recycle in Quito, where there is no recycling system. María leads a collective fight for basic labor rights; while Isabel transmits her knowledge of environmental care while she raises her daughters.

M(o)ai + plastica

Our most mundane daily lives are full of chemicals. Embedded in plastics, detergents and toasters, nestled in food, cans, toys, shampoos, they are invisible and everywhere at once, including in our bodies. Consumer society and petrochemical magic wander into our little interiors under names that are strictly unknown and perfectly barbaric. Phthalates, brominated flame retardants, parabens, bisphenol-A have the unfortunate disadvantage of burglarizing our hormonal privacy: they are endocrine disruptors. For the renowned scientists who appear in this documentary, this chemical impregnation is not unrelated to the development of so-called modern diseases – from breast cancer to obesity. The observation, rather serious, does not prevent the film from taking the side of the second degree.

Harald Reichenbach sets off around the globe in a sailing boat collecting garbage from the sea with local people. Using a press, he compresses what they find and pours it into resin to form ‚G-Cubes’. He then takes the garbage back as art to the people who created it – consumers in industrialized countries. Nothing on the journey goes exactly as planned, however, and Reichenbach finds himself teetering between art and activism.

This film tells a story about an unschooled 11-year-old girl Yi-Jie, she's a truly global child who learns the world through the United Nations of Wastes while working with her YI minority parents in this recycle workshop thousand miles away from their mountain village home town

Biùtiful Cauntri

Every day, we eat and breathe tiny plastic residues. What effects does this insidious contamination have on our bodies? Rigorous and lucid, this scientific investigation gathers the most recent discoveries and sounds the alarm.

Waste Not is a film about where your garbage goes, who sorts it for you, and what it is worth if it isn't just tossed into landfill. It's easier and cheaper to retrieve gold from old computers for instance, than to dig it up. Organics can be used to create fertiliser and green electricity and yet each Australian sends half a tonne of food waste to landfill each year where it is contaminated with chemicals and e-waste. We recycle only 50% of all our waste. There is an alternative to environmental apocalypse and we don't have to wait for the politicians to make it happen. All we really need to do is be creative and use our imaginations to turn this waste into wealth again. Waste Not talks to scientists, workers at waste depots, environment campaigners, gardeners and even a famous chef about how easy it is to save the planet by simply recycling properly.

Street Life documents the lives of Chinese migrants in Shanghai, one of the world’s largest and most vibrant cities, now symbolic of China’s economic might. The film centers on Nanjing Road, one of China’s oldest commercial streets and today a popular destination for tourists and moneyed Chinese. The street has also become a Mecca for uprooted and homeless Chinese, who make ends by collecting garbage and recyclables. These characters and their stories are the focus of the film. The central character in Street Life is a migrant known as “Black Skin.” Black Skin faces numerous pressures in the course of the film, including police violence. In the end, these pressures are too much for him to bear and he goes mad. Black Skin’s story intersects with those of fellow bottle collectors, enterprising thieves and even a young boy who has been abandoned.

L. M. Guerra, Knight of the University of Oxford; he tries to save our world, spreading the secrets that have been revealed to him.

99% of the plastic that should be floating in the oceans is missing. Even accounting for the plastic that washes up on beaches or is trapped in arctic ice, millions of tonnes has simply disappeared. As most plastic never deteriorates, it simply breaks down into smaller and smaller particles that are invisible to the human eye, what happens to this missing ocean plastic is a mystery. In this investigation, scientists embark in search of the micro-plastics. Small, mostly invisible, toxic, they are home to the new ecosystem: the plastisphere. But where are they? Ingested by organisms? Buried under the ocean floor? Degraded by bacteria? And what is the impact of them entering the food chain?

A documentary following an Estonian fashion designer Reet Aus on a global tour to explore the origin process and the environmental footprints of today's fast paced fashion industry. On the road the mission takes an unexpected turn towards trying to introduce her "upcycling" inspired product line to some of the major fashion retailers to increase awareness of the massive resource waste built into the current product lifecycle.

“Let’s Do It!” is a story about how a national cleanup campaign in a small European country grew into an ambitious global environmental movement. The idea spread far and wide, bringing about new wave of civic activism in many countries. However, even good initiatives can hit rough spots. The important thing is not to lose hope. This documentary captures the passion to change the world over the course of 10 years, culminating in World Clean-Up Day in 2018. The movie also showcases how grass-root initiatives can grow and subside and how some ambitions can be defeated only to give rise to even more ambitious ones.

Exploring America’s consumption of computers and the hazardous waste we create in pursuit of the latest technology, Terra Blight traces the life cycle of computers from creation to disposal and juxtaposes the disparate worlds that have computers as their center. From a 13-year-old Ghanaian who smashes obsolete monitors to salvage copper to a 3,000-person video game party in Texas, Terra Blight examines the unseen realities of one of the most ubiquitous toxic wastes on our planet.