A documentary examining possible historical and modern conspiracies surrounding Christianity, the 9/11 terrorist attacks, and the Federal Reserve bank.
Nos très chers animaux
Facing deteriorating machines and the advance of new technologies, Argentine printing presses are closing up their shops. A group of young designers has rediscovered this great technical innovation in the history of the written word – the typesetting printing press – but the technique is difficult to learn, passed down from master to apprentice. The last press mechanic in the country will be in charge of teaching them so that this historic technique endures.
A study of the automobile and its pervasive effect on the history of North America. Focusing on the Ford dynasty, from the original Henry car through to Henry II, the film demonstrates how society has adapted to fit the needs of the automobile.
Ferdinand de Lesseps, known as “The Great Frenchman”, will embark in the greatest adventure of his life: To unite the Pacific and Atlantic oceans through a Canal in the Isthmus of Panama – without knowing that this will cost him his reputation, thousands of innocent lives and the biggest financial scandal of all time, up to that point: the famous “Scandal of Panama”. Today, the French capital is known as “Paname”.
Let's Not Live Like Slaves
La zuppa del demonio
L'initiation
Crunch - Traum und Albtraum in der Gaming-Industrie
Grafická kontrola výroby
Huntingdon Mayor Stéphane Gendron wants to encourage immigration to save his town, which has been struggling ever since large-scale factory closures some years ago. Mayor Gendron’s project is a way in to a discussion about immigration and social and economic integration.
The film exposes the links between Agrifood and politics. With a pool of international experts it analyses the many problems related to factory farming: water pollution, migrants exploitation, biodiversity loss and antibiotic resistance.
Diving deep into the true causes of the Great Recession, the financial crisis of the 2010s, renowned economists, investors and business leaders explain what America is facing if we don't learn from our past mistakes. Is the economy really improving or are we just blowing up another Bubble?
Normalisace
With breathtaking clarity, renowned University of Massachusetts Economics Professor Richard Wolff breaks down the root causes of today's economic crisis, showing how it was decades in the making and in fact reflects seismic failures within the structures of American-style capitalism itself. Wolff traces the source of the economic crisis to the 1970s, when wages began to stagnate and American workers were forced into a dysfunctional spiral of borrowing and debt that ultimately exploded in the mortgage meltdown. By placing the crisis within this larger historical and systemic frame, Wolff argues convincingly that the proposed government "bailouts," stimulus packages, and calls for increased market regulation will not be enough to address the real causes of the crisis, in the end suggesting that far more fundamental change will be necessary to avoid future catastrophes.
Overdraft is an award-winning film featuring leading thinkers and policymakers from across the aisle exploring major topics such as entitlement programs, defense spending, tax reform and the choices that America’s debt forces on individuals and businesses. Independently produced, Overdraft was launched in August 2012, and made available for broadcast on public television for two years through the National Educational Telecommunications Association (NETA).
Introduction to the oil industry of India in the post-colonial period.
East of Walbrzych
MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.
A highly choreographed review of the Industrial Age as we know it today – an intense and playful roller coaster ride that demands the viewer confronts how “work works.” Culled entirely from archival footage, the film unfolds in the filmmakers’ trademark, and humorously critical, cinematic voices.