Set in a small town in the region of Tamil Nadu, in southern India, the film follows the days and works of a hijra family. Silky, Mahima, Trisha, Durga, Kuyili, Priyanka, Vasundhara and Yamuna, under the firm protection of their guru Lakshmi Ma, deliver snippets of their marginal but sovereign existence. From a millenia-old sacred tradition to getting by every second, "Guru" composes with them a poem of intertwined voices in which the world is a tough playground, where the third gender is primarily the resistance force of a life shared.
Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.
The gang embarks on a trade mission to India. Equipped with three old British cars and a range of uniquely British products, they set off on an epic road trip across one of the world's most fascinating and challenging countries.
A short film that sets up an opposition between functional forms of industrial age and decorative ones from Indian tradition.
‘Bahattar Hoorain’ is a dark comedy that examines the real consequences of violent extremism and urges that every human life should be treated with dignity and respect.
Each night the only border crossing between India and Pakistan on a 1000km stretch becomes the sight of an extraordinary event. Thousands of people gather to witness the ritual closing of the border, after which the masses get as close as possible to the gate to greet their former neighbors. This "festival" is therefore on the one hand a celebration of the partition, but on the other hand also the only connecting element. What do the terms separation, home and proximity mean to the people on both sides?
A memoir celebrating yesteryears of cinema and how silver screen has evolved over the years, this documentary is ode to cinema by the audience, for the audience.
An ascetic walks through the narrow streets of a village every morning while his family is still asleep. In his semi-somnolent state he dreams about the history of the village mixing up myths, folklore and facts.
The film explores the campaign waged by the Hindu right-wing organisation Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after Ram ke Naam was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence.
Dalits, in the Indian caste system, belong to the lowest social sphere and are therefore subject to regular discrimination and violation of their basic human rights. Also referred as “untouchables,” this group was vindicated by B. R. Ambedkar, a Dalit who earned doctorate degrees abroad and fought for the emancipation of his people. In 1997 a statue honoring him was desecrated, unleashing the rage of the Dalit community, but instead of getting support by the authorities, ten persons were murdered. This documentary took 14 years to be made and it captures the music and poetry of this people, showing a tradition against superstition and religious bigotry that has strived since the times of Buddha.
Traceable follows Laura Siegel, a fashion designer who takes a critical look at the fashion supply chain and fast fashion industry, travels through India in order to meet and work together with the artisans who create the majority of the clothing that we wear. The film explores our growing disconnect of how and who makes our clothing, thus instilling a need for traceability in the fashion industry.
The making of the James Bond movie Octopussy (1983) in Udaipur, India during 1982.
A Dream Trip Across India Some kilometers from Bombay, the Indian megalopolis, lost on a hill of Bollywood, is the grandiose set of a vast temple with a magical touch, reminiscent at the same time of an Indian shrine and an ancient Inca temple. Inside, Ten Ford Mustangs are waiting. Ten Ford Mustang with an incredible pedigree: Bullitt GT390, Shelby GT500, Shelby GT500 KR 1968... the deep sound of a gong resounds, the doors of the templeopen launching the first edition of the Maharajah of the Road. At the wheel of the ten Ford Mustang, passionate people coming from all over the world: Indian, French, American, Italian, Lebanese... they are business men, automobile designers, manufacturers, artists… From Mumbai to Jodhpur, a 2.000 kilometres tour will lead our Mustangs through India. From the Rats Temple in Deshnoke city to the thousand-and-one palaces, the two princesses will show the Rajasthan to the adventurers of the road in an eventful trip...
A 1986 Bollywood film.
Documentary on the life of ghazal samrat Jagjit Singh, who changed the landscape of Indian Music.
Life on the road in India, showing the traffic, people and animals.
Hindu temples at Benares and Belur and the mythologies associated with them.
Thomas de Dorlodot and Horacio Llorens journeyed for a personal adventure across the Himalayan mountains. They covered roughly 350km and became the very first paragliders to fly over Rohtang Pass.
Megha's Divorce
Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.