This short film, produced at the end of WWII, warns that although Adolf Hitler is dead, his ideas live on.
Despite the perceived progress the world has made over the years, it's become increasingly clear that racism continues to run through our culture. This is abundantly apparent on the streets of London. This difficult documentary explores racism in today's climate through stories from people of various races.
The Ripple Effect is a powerful documentary primarily centred around St Kilda legend and proud Noongar Nicky Winmar's generation-defining stand against racism at Victoria Park in 1993.
In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.
Two brothers who could not have been more different. The eldest, Hermann Göring (1893-1946), was a prominent member of the Nazi regime, head of the German Air Force, and a war criminal. The youngest, Albert Göring (1895-1966), opposed tyranny and was persecuted, but today he is still unjustly forgotten, although he saved many lives while his brother and his accomplices ravaged Europe.
It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
Propaganda short film depicting the rise of Nazism in Germany and how political propaganda is similarly used in the United States. The film was made to make the case for the desegregation of the United States armed forces.
Baltimore City officials asked drug kingpin Melvin Williams to stop the riots happened following Martin Luther King's assassination. After helping the authorities out, Williams was then labeled a threat, framed and incarcerated by a hypocritical society.
Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.
Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.
The concept for the film was developed based on sociological research conducted as part of the Youth Subcultures conference in collaboration with the Institute of Sociology of the Slovak Academy of Sciences. The film’s core value lies in its ability to provide an inside look at selected subcultures, achieving an exceptional level of engagement with their members. The filmmakers managed to break through the participants' initial reluctance to openly discuss their experiences. The documentary directly addresses key aspects of these subcultures, including drugs, faith, and personal beliefs. It focuses on six specific groups: the techno scene, graffiti artists, antifascists, religiously oriented youth, skinheads, and young people inspired by Eastern spirituality. The film includes footage from illegal rave parties, graffiti sessions, and other underground activities. Overall, the documentary serves as an insightful map of Bratislava’s contemporary alternative scene.
They were going to become heroes, but they didn't know it. Most of them were not yet twenty years old in June 1940, when France found itself on the ground. They were starting careers, studies, had families, friends. None had heard General de Gaulle's call on June 18, but all listened to Marshal Pétain's speech on the 17th, asking to stop fighting. They immediately rebelled and joined London or the Resistance. Through the testimonies of seven of the last Companions of the Liberation (made in 2013), this film tells us about their unwavering commitment and takes us in their footsteps until the Liberation.
Directed by Oscar-nominated and NAACP Image Award winner David Massey, this dynamic documentary explores why so many unarmed black people have been targeted and killed by police officers. The filmmakers talk to legal experts, activists and law enforcement officials who discuss the inequality within our criminal justice system and who confront the crucial question of how to prevent more violence in this country, including Black on Black deaths. As the Black Lives Matter movement - and citizens nationwide - question the accountability of our justice system in cases of police violence, When Justice Isn't Just is an essential addition to the ongoing discussion about reform and renewal.
Not just another documentary on the French resistance movement, this film focuses on one particular group of underground fighters in France: those from Eastern Europe. Many were Jews and all had fled their native countries before the war broke out. They were among the most staunch and fearless enemies of fascism, as shown here in personal interviews and memoirs of war-time experiences. But the most famous of these immigrants were 23 who were rounded up among several hundred Parisians in 1943, tried for their activities, and executed -- all were immigrants under the leadership of the Armenian poet Manouchian. After their execution, Paris was papered with posters decrying these 23 martyrs as "foreign communists."
Eleven college students from different backgrounds participate in a retreat to discuss their experiences of race and racial prejudice. The circle is facilitated by Lee Mun Wah.
2011 saw the largest wave of disorder in the UK since the 1980s. This revelatory film hears from the people who experienced the riots up close and personal. A decade on, we look back at the summer of 2011 through the eyes of those whose lives have never been the same since. In a series of candid interviews, we hear the story from all angles. Convicted rioters, frontline police, a judge, a government advisor and a grieving father look back at that week in August, and the years that followed, to piece together what really happened and why.
Coming from all social strata, a priory model citizens of the Third Reich, one thing unites these women: hatred against the Hitler regime and the desire to end the Führer.
Black Santas are local heroes, spreading joy and love to children and families at a bustling mall during the Christmas season. But even during this special time, the ugly shadow of bigotry falls on the season's true spirit.
During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.
Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?