To Be

As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble.

Why are white men poised to get rich doing the same thing African-Americans have been going to prison for?

Filmmaker Helena de Llanos, who lives in the chaotic house, full of memories and treasures, where her grandfather, Fernando Fernán Gómez (1921-2007), legendary writer, actor and director; and his wife, the actress and writer Emma Cohen (1946-2016), shared their lives, analyzes the relationship that the living have with the dead through the places and objects they have left behind.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.

Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

A feature length documentary about the all-women team at the helm of Pixar's original feature, Turning Red. With unprecedented behind-the-scenes access to Director Domee Shi and her core leadership crew, this story shines a light on the powerful professional and personal journeys that brought this incredibly comical, utterly relatable, and deeply heartfelt story to the screen.

A short prior to World War I film which captures festivities at a fair near a church in Bitola.

Early Balkan footage.

At 25, Christian begins to remember the rape he suffered as a child, so he decides to go to see the sea for the first time. The trip is traversed by the ghosts of the past, an uncertain present and a painful letter that tries to reveal the presence of a rapist.Christian tries to document his process to overcome his crisis and strengthen his relationship with Marlene, his mother. The two are not only closely linked by blood ties, but also by the silence that their bodies have kept for years.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks' of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they've made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David's "What the World Needs Now Is Love".

This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.

The work of taxonomists hides more secrets than can be perceived.

Groenkijkers

A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.

Sir David Attenborough investigates the discovery of a lifetime: the giant skull of a prehistoric sea monster, known as a pliosaur – the Tyrannosaurus rex of the seas!

Only few big cats have been as intensively studied as lions. We thought we knew everything about them. Yet some parts of their lives kept hidden in the dark. Cameras follow two prides and their respective females by day and by night, revealing astonishing behavioral patterns of Africa's largest lions. Symbols of courage and power, lions have been intensively researched for many decades. While hardly a single facet of their lives has gone unnoticed, certain things have remained hidden. Thanks to thermal imaging cameras, this two-part series reveals the last secrets of Africa's largest wild cats. We follow two prides in Southern Kenya and their respective females by day and by night, discovering astonishing behavioral patterns. Lean times face the animals as the huge wildebeest herds, which, until now have supplied the young families with ample food, are migrating south to the Serengeti. We will watch the daily struggle for survival as these mothers risk everything in order to rear ...

A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.