I Want to Write Pure Movement

An Honest and hilarious look at the music industry through the eyes of an all girl rock band.

A group of young filmmakers encounter real zombies while filming a horror movie of their own.

The Secret Seam is a literal rip in the fabric of the universe. Nobody knows what it does, but there are those that are willing to kill others to find it, and the map to its location has just fallen in Jonathon Child's lap.

Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.

By the dawn of the 21st century, hip-hop sales had reached an all-time high, but one thing has remained the same. The doors were still locked, and the music industry held the keys. Young artists began to self-market on the Internet, ultimately helping to collapse the music industry as we knew it. It’s Yours explores how it became possible to become a rap star through a Twitter account, YouTube site or Myspace page. It tells this story through the unique perspectives of numerous artists, producers, record industry insiders, and music and cultural critics.

A video mixtape for the chronically online. A sensorial acid bath.

Whilst making a documentary, filmmaker Holly meets the highly enigmatic and beautiful Vicki who claims she is a real-life vampire.

Anémona and Pisces live a capicua experience: they are at the same time the woman who looks, the woman who is looked at, and the very act of looking. Between fractal scenes and images multiplied in reference to Man Ray, Anémona assumes the will to, through the state of trance, always be a foreigner within herself, while Pisces goes in search of an alien vision, to assume herself as the self and otherness to understand the world.

Madonna's rise to fame from 1978 to 1992, exploring her personal life, controversies, and the challenges she faced during that period.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Vampires have just made themselves public! Now a group of documentarians have been granted access to spend some time with them and learn how they live and coexist with humans. But as reality sets in, the crew realize they are in for far more than they bargained for.

What on earth would extraterrestrials think if they could observe us? This is the movie they made.

The expedition for the Kiamichi beast up into the mountains was a tedious journey. For over 200 years the Kiamichi beast has roamed Arkansas, the Indians say he would raid the camp and steal the children. Now adays the locals are afraid to enter the woods at night. The howl’s coming from the woods are enough to make even a big man shake

Seattle filmmaker Oliver Tuthill Jr. directs this deadpan mockumentary that imparts the legend of Willatuk, a fictitious sea serpent that American Indians first spotted swimming in the waters off Puget Sound in 1736. Narrator Graham Greene explores the history of the mysterious creature that's considered sacred by a Pacific Northwest Indian tribe, which vows to protect it from the competing interests of local hunters.

"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.

Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.

From the creators of After the Dawn, L.A. Maniac, Play Hooky, and Dirty B.O. , comes a found footage movie that will surely put you on the edge of your seats. With the inspiration of true stories, Jack Hunter’s PARANOIA TAPES will send a chill down the bottom of your spine.

A couple of hippies are searching for Joe, a long time friend from the 70s who seem to be stuck in time and never aged a day since then. Through technicolor ninjas, bizarre metalheads, shamans and ancient rituals, the two embark on a journey with no turning back.

The found footage collective, Everything is Terrible! Has taken over 2,000 forgotten VHS tapes and re-contextualized them in order to tell the tale of The Dark Lord himself, Lucifer.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.