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The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army's rescue at Noryang Strait.

In a time of political and social unrest in 19th century Korea, uncouth, self-taught painter Jang Seung-up explores his natural talent amidst the repressive world around him.

Why did she die? The Supreme Court first sentenced her to death, but then commuted her sentence to life imprisonment and sent her to Tochigi Women's Prison. What happened before she took her own life there? Based on her tanka poems, which convey her raw voice, the film explores her lone fight during the 121 days between her death sentence and suicide, a period that has remained obscure to date.

In the Joseon Dynasty, two friends who grew up together — one the master and one the servant — reunite post-war as enemies on opposing sides.

Admiral Yi Sun-sin faces a tough challenge when he is forced to defend his nation with just 13 battleships against 300 Japanese enemy ships in the Battle of Myeongryang.

In 1896, Norimatsu hears from a man from Joseon that the Empress of Korea has been assassinated by the Japanese. Stricken with guilt as a Japanese, he defies all warnings and sets out for the land of Joseon, a nation engulfed in darkness. Years later, another Japanese man, inspired by Norimatsu’s spirit, follows the same path—to bring the gospel to a land still in desperate need of Jesus. This is the story of unnamed missionaries who left behind not fame, but the love of Christ.

Queen Min makes regent Prince Daewon withdraw from ruling with the help of the Min Seung-ho Party.

Dedicating his days to art, Prince Anpyeong leaves matters of the kingdom to his elder brothers, King Munjong and Prince Suyang. But after dreaming of a utopia in a peach grove and commissioning a painting of it, Anpyeong begins involving himself in politics, driven by the desire to turn his dream into reality for his nation. When Suyang steps in to manifest his own dreams for Joseon, the fate of the kingdom and their own lives hang in the balance, testing their brotherhood to the breaking point.

Donghak Rebellion (Donghak Peasant Movement) takes place in Hongjuseong (now Hongseong). Manhae, a boy who participates in the Donghak Rebellion as a 16-year-old, steals 1,000 nyang and sends it to military funds. At the age of 55, at Simujang in Seongbuk-dong, Manhae remarried while staying in a boarding house. While making a living by sewing his wife's wages, Manhae continues to resist Japanese imperialism by participating in the movement against the name change of the Chang clan and against the dispatch of Korean student soldiers along with writing. He takes over the military funds from Madam Baekhwa of Myeongwol in Yongjing. Lee Hwa-yeong hands over the military funds with Man-hae. In 1944, Manhae passed away at the age of 66. As the poem "Your Silence" flows, Manhae's achievements are introduced as highlights, and his subtitles flow.

Refusing to allow fate to decide whom she must marry, Princess Songhwa decides to find her own husband. She seeks the help of a man to interpret her marital harmony with four men she wishes to marry.

Mu Myeong is a Joseon dynasty headhunter who meets and falls in love with lady Ja Yeong who will become the future Empress Myseongseong. A few years later, Ja Yeong enters the royal palace to marry King Gojong. Mu Myeong still having feelings for Ja Yeong and in an attempt to get closer to her becomes her personal body guard.

Ancient Korea, July 4, 1762. The Crown Prince Hyojang, posthumously named Sado, son of King Yeongjo of Joseon, is accused of treason. Thus, the king asks him to commit suicide, but his closest vassals prevent it, so the king orders the prince to get inside a wooden rice chest, where he suffers deprivation of food and water.

Ancient Korea, 1728. Swordsman Kim Ho, guard of King Yeong-jo of Joseon, is demoted and sent to work in Uigeumbu prison. When night falls, the prison is assaulted by the master warrior Do Man-cheol and his powerful henchmen for the purpose of freeing Lee In-jwa, who has been condemned to death for rising up in revolt against the king.

The film chases a historical event when King Jungjo tried to replace hispersonal revenge on those who killed his father Sado, the Crown Prince, with agreat cause to build up a nation for its people, which eventually leads to remind the lessons of history that repeat permanently like a Mobius strip. The film seems to aim to introduce the uniqueness of Uigwe with a historical yet futuristic value as a World Heritage on the surface, but in fact, it pursues torestore audio-visually the immaterial thing that remains only as a record under the name of feast. Inside the device receiving images, there might have been desires to reproduce the world or to secularize the invisible from the beginning. Hungry TV will awaken the potential to visualize all the intangible via digitaltechnology. So to speak, there is digital technology, and it is followed by aquestion: How far the digital technology of 21st century would lead this deviceto?

After being blinded in a coup against the king, Joseon's greatest swordsman goes into hiding, far removed from his city's anguish. But when traffickers kidnap his daughter, he has no choice but to unsheathe his sword once more.

Er Woo Dong translates to "entertainer," a rough approximation of the duties of 14th-century Korean courtesan Er Yoon Chang. After a lifetime "in service," Er Yoon Chang retires to a faraway village. Meanwhile, her powerful father, ashamed of his daughter's lifestyle, dispatches an assassin to do her in. Er Yoon Chang is protected by her faithful deaf-mute bodyguard, but only up to a point.

Jeong-ho is castrated by an ambitious minister for loving above his station. The minister also happens to be the father of Ja-ok, the girl Jeong-ho loved. He sends his daughter to the king as a concubine in a bid to gain favor, but the king sees through his motives and the instead forces Ja-ok into the position of a lowly kitchen maid. Jeong-ho sole hope in life is to save his former lover.

The story of Joseon's tyrant king Yeonsan who exploits the populace for his own carnal pleasures, his seemingly loyal retainer who controls him and all court dealings, and a woman who seeks vengeance.

Although born a daughter of an aristocratic family, Jin-yi discovers the secret behind her birth and enters into a life in a brothel as a gisaeng.

A young Japanese actress remembers her war childhood in Korea. Her father goes to fight, her baby sister Miko dies of typhoid, her beloved Korean maid Ohana is fired due to a mistake which could cost Chiko her life... By and by Chiko realizes that the country is being ruled by the Japanese and the Koreans are persecuted. When the war ends, the Koreans chase the Japanese rule and the roles change. Now Chiko's family is unwanted. But then the Russians come and this is the end. They have to burn all the pictures to avoid all suspicions... even Miko's picture. But when the Russians come to their house, they decide to flee over the 38th Parallel towards freedom. A group of men, women, children struggles along the mountains, led by the light of the Northern Star. Along the way they meet a Korean man, who is willing to help them to escape the Russian soldiers although his family was killed by the Japanese.