TRAUMA is a collaborative film project by Jesse Kanda and Arca first partially exhibited at MoMA PS1 at the end of 2013. The film follows a nonlinear narrative about the death of a salaryman, a drunk driving infant and takes place within a subconscious world. TRAUMA's score will span through Arca's existing and future works.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
My Mother's Pain
Enducated
A bus full of people on a trip is stopped by a policeman who isn’t satisfied with the bribe he is offered for granting the bus passage. To continue on their journey, the passengers will have to join forces.
A woman wanders through an unusual landscape and blissfully enjoys touching plants. But that stops when this dreamland is ravaged by a strange infection destroying everything that brought pleasure.
The name of the film is taken from the book “Liquid Love” by the sociologist Zygmunt Bauman. The film investigates the tension and the pendulum swing between freedom and belonging in the context of relationships. An attempt to express two opposing worlds trying to co-exist, where one will always overcome the other in a constant, endless tension.
When a tabloid television station reveals a superhero film star is gay, the young actor is confronted not only with the reaction of the fans but also with his own concerns. The macho nature of his film alter ego complicates the entire situation even more and the struggle with homophobia in a heteronormative entertainment industry is not easy at all.
Meticulous and mesmerising paint-on-glass animation is characteristic for this atmospheric film by the Polish director, who takes us on a bus ride one Monday afternoon. The melancholic ride through a rainy city reminds the main protagonist what it would be like to escape the everyday routine of jammed streets.
Dramatic story of a man and a woman that had a short but passionate love story.
Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.
Untitled / Aubrac
Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague. While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse. The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.
Krešimir Zimonić's take on the underlying nature of a hard-fought soccer game.
Wools
Senescence
Leaders
Film poem created with the wild flowers that grow along the shore of the Laira estuary, the tidal mouth of the River Plym, on the southwest coast of Britain. The petals and leaves stream past as the haunting soundscape ebbs and flows.
A dedicated bird watcher observes a hawk and journeys to the limits of what it means to be human.
In 2013, Lei Lei and Thomas Sauvin collected numbers of black-and-white photos from Chinese flea markets and imagined that all of them belonged to one fictional Chinese person. Through rendering, collage, and a cyclical process of hand coloring, scanning, and printing, connections among the photos were created.