Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.
Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.
Gobinchu, Marc's imaginary friend, has disappeared. Berta, his younger sister, hires detectives Blue & Malone, a giant cat and a plasticine dog, to investigate what happened. Together, they tour the house living many adventures and knowing and facing numerous fantastic creatures.
Grandmother Koba has to take care of her grandchild Emma's digital horse farm.
A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.
Elephants Dream is the story of two strange characters exploring a capricious and seemingly infinite machine. The elder, Proog, acts as a tour-guide and protector, happily showing off the sights and dangers of the machine to his initially curious but increasingly skeptical protege Emo. As their journey unfolds we discover signs that the machine is not all Proog thinks it is, and his guiding takes on a more desperate aspect. Elephants Dream is a story about communication and fiction, made purposefully open-ended as the world’s first 3D animated “Open movie”. The film itself is released under the Creative Commons license, along with the entirety of the production files used to make it (roughly 7 Gigabytes of data). The software used to make the movie is the free/open source animation suite Blender along with other open source software, thus allowing the movie to be remade, remixed and re-purposed with only a computer and the data on the DVD or download.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
Compelled by a mysterious force, Kaena, a rebellious, high-spirited teenage girl will defy the High Priest and her people's ancestral beliefs to take the perilous journey through the Axis and discover what dark secrets lie beyond the clouds.
Isolated bell-ringer Quasimodo wishes to leave Notre Dame tower against the wishes of Judge Claude Frollo, his stern guardian and Paris' strait-laced Minister of Justice. His first venture to the outside world finds him Esmeralda, a kind-hearted and fearless Romani woman who openly stands up to Frollo's tyranny.
At Thanksgiving, a tramp arrives in a homeless-hostile town.
Sheldon Bart (Fred Ward) is a drifter, and a small-time con man. He meets his old friend, Brother Bud (Harry Dean Stanton), a big-time con man into faith healing and fencing stolen cars, at his revival tent outside a small town. While he's helping Brother Bud, he falls in love with Arlene (Cindy Williams), a local supermarket clerk who believes in UFOs and is deeply religious and deeply lonely. When Arlene has a vision of a coming UFO, everyone deals with it in their own way.
Ines is an old atheist woman who is intrigued by the funeral services provided by Giovanna, who takes her on a tour through the graveyard to show her all the special attentions they offer to their clients
Fairground boxing booth where visitors try to knock out the champion and win five pounds, the first contestants is knocked out but the very eager (and possibly drunk) third man knocks out the champion and overcome with "boxing fever" rushes out punching at everybody and everything he meets. (britishpathe.com)
Each time Mrs Babylas sees an animal, she just can't help herself bring it back home.
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
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Bruce Nolan toils as a "human interest" television reporter in Buffalo, NY, but despite his high ratings and the love of his beautiful girlfriend, Bruce remains unfulfilled. At the end of the worst day in his life, he angrily ridicules God — and the Almighty responds, endowing Bruce with all of His divine powers.