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One day, a villager stops at a watering place and is horrified by what he sees. The water is unusually red.

Two thieves are reluctant to steal but their evil boss doesn’t want to hear it. So the two clumsy burglars, who would much rather go dancing somewhere, have to break into an abandoned house. Once inside, they stumble across a gramophone and release a bunch of ghosts from it.

A reminder of the colourful, boundlessly animated exo-imagery that forms the DNA of the world we live in.

Someone falls off the scene and a tree is upside down. In the search for the roots, people are torn from their usual order, while in the dark connections are made. A woman tastes of the primordial soup and we end up in a system of people spinning around themselves. Only one person remains alone, but he gets unexpected comfort from somewhere.

In a bold and original approach to memory, this Lettrist-inspired film maps an anxiety-ridden plane journey from Tokyo to Helsinki without the aid of photographic images. A variety of interventions on the film strip are combined with an atmospheric sound design to create a subjective story of displacement and containment. In an age when experience is increasingly mediated through digital technologies, Taanila seeks out an alternative language in the sensuous surfaces of the celluloid material.

Of late, Kago has also taken to posting his even less-known video work to his YouTube channel. In these jokey short films, many of them crudely animated, Kago's sick sense of humor reaches its full heights of absurdity. There's a playful surrealist sensibility to Kago's work, as well as a tendency to revel in the ridiculous, the crude and the disturbing. His work straddles a weird boundary between avant-garde experimentation and low-brow fart jokes — the punchline of one of these films is literally an oozing torrent of shit — although, admittedly, his videos seem to lean a bit more heavily towards the fart jokes than his comics. But hey, who doesn't appreciate a good fart joke once in a while?

This dazzling stop-motion animation provided Vorkapich with a forum to demonstrate complex perceptual theories related to the persistence of vision and phi phenomenon. The dance of objects and their movements before the camera lens–somewhat similar to Oskar Fischinger’s abstractions–illustrate many visual sensations playfully executed by Vorkapich.

This video art experiment and survey on human's visual and sound perception which have an influence on the way of life, national integration, and people's belief in fact. The video changes the way of human's usual perception by using a Thai ancient tale read by a calm voice, along with the annoying visual and sound.

Gretchen unmoulds a jar of jelly in her room while her parents picnic in the garden. The jelly comes to life, the girl begins a frenzied dance with her new friend "Jelly".

During the Annecy festival, while the young festival goers flock to the screenings, a producer relaxes on the lake.

An unknown stranger appears, inviting Róza to dance, giving her a pair of red shoes. Thanks to them, Róza starts to dance, wildly and with great passion, quickly becoming the center of attention. Soon after she realizes that she can't control the shoes, the shoes are controlling her…

Two lovers in shifting waters.

A young apprentice god and his trusty mount have a job to do: nudge the moon and bring about the day.

Take a pill and follow Eazy on his crazy quest for love.

With the help of his groundhog friend, an alpine ski aficionado dreams of international fame by achieving the greatest downhill run of all time.

This is one of those abstract animated films in which colored, richly textured light moves in a black, three-dimensional space. The pictures and the electronic score are unified in a strict structure made of three main sections which progressively develop three subsections. This film may look like it was made using computers or video to the uninitiated, but only animation and much optical printing are to be seen herein. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.

Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.

Shot in Ireland and Poland - a journey that explores ideas of decision, choice, consequence, circumstance and time among other things, a personal perception on how we try to find whatever it is we are searching for.The film looks at objects, people, and places which share common properties, our connection with one another and our environments in the very similar yet very different paths we share.

The hilarious hour-long episode follows the bipolar, beer-swilling dog, Barkley, and the Critters, the band he fronts. His rocker menagerie includes a vulture, a snake, a tracksuit-clad paranoid schizophrenic crow, a Buckethead-esque farm boy on harmonica, and a manic- depressive canine drummer.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.