Domingo no Asfalto

Upon using a modern art museum as the setting for a role play game that goes hopelessly awry, a deaf couple desperate to rekindle their spark finds the reconnection they seek in their shared experience over an abstract sculpture.

A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman.

Thomas, 70, looks back on the last evening he and his lost friend Mari spent together. An evening in which they drink wine, dine, listen to piano playing and dance with their girlfriends. As the hours pass before his eyes, Thomas contemplates the lost friendship, the person Mari was and the conversations of that night.

An abstract artist promises to deliver twenty five paintings to an art gallery. As he fights for his creative spark and deadlines loom, he feels his world around him crumble away.

Santa Inocencia

In a desolate world of endless horizons, black-clad figures drift through shifting states of emotion, identity, and self.

On a bleak island where monolithic concrete buildings rise above the windswept horizon lies work-colony #191286. Piwonka is one of a handful of migrant workers who are forced to work here under harsh conditions. He has been estranged for two months from his beloved wife when a fatal incident at the main drilling-tower occurs. Piwonka has a recurring dream of his wife where it feels like she's trying to communicate with him, to warn him perhaps, or guide his way.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.

An experimental visual piece delving into concepts like afterlife and existence in an abstract but accessible way.

Short film about the inability to sleep, or to remain asleep throughout the night.

This experimental short film by Iain Delavan serves as an abstract, yet harrowing expression of his struggles with Post-traumatic stress disorder, due to his repeated childhood sexual abuse. Iain was diagnosed with PTSD in March of 2022, and this film boldly represents the continued battles that Iain must face every day, such as severe depression, self-harm, panic attacks, flashbacks, nightmares, suicidal ideations, and other painful symptoms.

An abstract exploration of memory and loss.

A political assassination leads to division and chaos.

Mindy suspects that her ex is up to no good.

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

Isaac travels to Mount Moriah with his father to make a sacrifice to God.

mens·beeld (het; o; meervoud: mensbeelden) A "Mensbeeld" is a well-thought-out and coherent representation of what it means to be human. Human images are linked to (historically determined) philosophical, philosophical or religious convictions.

How heavy is an emotional relationship in TRANSit? Giving love? Losing love? Having, in my chest, not only a heart but also longing? That's why I record you this: for us to continue.