Nos prairies valent de l'or

How did the willful daughter of a Himalayan forest conservator become Monsanto’s worst nightmare? The Seeds of Vandana Shiva tells the remarkable life story of Gandhian eco-activist Dr. Vandana Shiva, how she stood up to the corporate Goliaths of industrial agriculture, rose to prominence in the regenerative food movement, and inspired an international crusade for change.

Centered on the testimonies of students who were victims of harassment or sexist and sexual violence. The objective is to make people aware of the reality and mechanisms of this violence, as well as their seriousness, so that the university community as a whole is mobilizing against harassment and gender-based and sexual violence.

How can we harness the power of mushrooms to fight climate change? In the American West, wildfires spread fast. To slow the flames, forest managers are thinning the forests. Cutting down trees. 
But where does all that wood go? Nearby on the agricultural prairie, soils sit degraded from generations of traditional farming. The soil lacks the organic matter they need to thrive. Could these two challenges provide solutions to each other—
with a little help from Mother Nature? Peaks to Prairie is a short film about nature-based climate solutions and how mushrooms can play a key role.

Examines the conflicts, politics, economics, and groundwater depletion in the High Plains region, with a focus on the Ogallala Aquifer. Farmers and communities survive on the precious waters of the Aquifer, yet it is being depleted at alarming rates.

This documentary film asks whether a citizens' experiment, the CSA (Community-supported Agriculture), developing new partnership models between consumers and farmers, has the power to change society.

For ancient Mayans, cocoa was as good as gold. For subsistence farmer Eladio Pop, his cocoa crops are the only riches he has to support his wife and 15 children. As he wields his machete with ease, slicing a path to his cocoa trees, the small jungle plot he cultivates in southern Belize remains pristine and wild. His dreams for his children to inherit the land and the traditions of their Mayan ancestors present a familiar challenge. The kids feel their father's philosophies don't fit into a global economy, so they're charting their own course. Rohan Fernando's direction tenderly displays a generational shift, causalities of progress in modern times and a man valiantly protecting an endangered culture. Breathtaking vistas of lush rainforests contrast with the urban dystopia that pulled Pop’s children away from him. Will one child return to carry on a waning way of life

Une vie en transit, ou l'illusion du provisoire

Le chemin de la victoire - Nous c'est carré !

Four men walk accross the upper part of the Mer de Glace Glacier. All they walk unroped and using ice axes as a cane. The shot belongs to a collection of scenes that were presented together as a kind of travelogue film under the title of 'Voyages animés' in a diorama pavilion in the Universal Exhibition of Paris of 1900. The mountaineering scenes in this series include four scenes in the Mer de Glace and one in the Meije glacier. These five scenes, under a minute long, are the first mountaineering images ever filmed. Several of the 'Voyages animés' scenes were included in the Lumière catalog in 1901 under the title of 'À travers la France'.

Four roped men jump a crevasse and ascend through the seracs of the Mer de Glace using long ice axes. The shot belongs to a collection of scenes that were presented together as a kind of travelogue film under the title of 'Voyages animés' in a diorama pavilion in the Universal Exhibition of Paris of 1900. The mountaineering scenes in this series include four scenes in the Mer de Glace and one in the Meije glacier. These five scenes, under a minute long, are the first mountaineering images ever filmed. Several of the 'Voyages animés' scenes were included in the Lumière catalog in 1901 under the title of 'À travers la France'.

This documentary exposes the massive public health dangers of genetically modified organisms (GMOs). The film features the world's leading scientists, physicians, professors, politicians, attorneys, and environmental activists who reveal the frightening truth surrounding the vast use of GMOs in our food supply. You'll see the deception and deep layers of corruption being perpetuated against the public at large by the world's largest and most powerful biotechnology companies, chemical companies, agricultural companies, and governments.

A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…

Lou Ganiou

Le Beurre : Du bonheur en motte ?

Henry Browne, an African American farmer, and his family are profiled in this film. The important job of a farmer during times of war is highlighted, specifically his efforts growing peanuts and cotton. This role is made even more poingnant when they visit the eldest son who is a cadet in the 99th Pursuit Squadron.

This short documentary illustrates rural French Canadian life in the early 1940s. The film follows Alexis Tremblay and his family through the busy autumn days as they bring in the harvest and help with bread baking and soap making. Winter sees the children revelling in outdoor sports while the women are busy with their weaving, and, with the coming of spring young and old alike repair to the fields once more to plough the earth in preparation for another season of varied crops. One of the first NFB films to be produced, directed, written and shot by women.

Filmed during a visit to Jerome Hill in Provence, Jonas Mekas sets his Bolex to capture a single day overlooking the port of Cassis. Shot frame by frame from morning to sunset, the film distills shifting light and color into a quiet meditation on time, place, and perception.

"In Algeria, I fought to ensure that girls—like me—would not be forced to wear the veil. In France, I began defending women's right to wear it, should they choose to do so. Does that surprise you? To me, it is the same fight. By revisiting the stereotypes that have clung to Arab women since the colonial era, Madame la France, ma mère et moi examines the way French people view women of Maghrebi origin. This film—for which I retraced the steps of my mother and aunt in Algeria—will, I hope, help people understand my anger, an anger shared by many Arabs in France." (Samia Chala)

Chahinaz is a young Algerian woman who dreams of freedom and who cannot understand why her life is being dictated to her. A student in Constantine, this young sparkling woman loves her country but is suffocated by the weight of tradition and religion. How can you change society in a country where the law officially sanctions inequality between men and women? How can women’s rights be advanced on a global level? In order to find answers to her questions, we have travelled to her country and across several continents, comparing her situation with that of other women. And also to inform those who have the power to change what Chahinaz does not accept. Chahinaz asks questions without blinkers, and seeks answers that are not just black and white. She brings a fresh and intelligent view to the condition of women in the North and the South, and in the process challenges some widely prevalent clichés about Muslim women.

An organic farmer in Maine sets out to transform the prison food system. Seeds of Change captures the intersecting stories of life-long farmer Mark McBrine and several incarcerated men as they harvest their own meals from a five-acre prison garden unlike any other.