The director’s diary told in still images of a dramatic period in which he becomes first a father and then almost loses the love of his life when his girlfriend – filmmaker Lea Glob – goes into a coma after giving birth.
This documentary short is a portrait of Leader of the Progressive Conservative Party and 13th prime minister of Canada, John George Diefenbaker (1895-1979). Diefenbaker's political career spanned 6 decades. When he died in 1979, his state funeral and final train trip west became more a celebration of life than a victory for death.
A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.
A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.
Exposition of two different processes of forensic identification in exhumed bodies with features of violence.
Impressions of a turbulent period in youth.
Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.
A disturbing documentary about true murders and real death.
When Werner Herzog was still a child, his father was beaten to death before his eyes. His mother was overwhelmed with his upbringing and thereupon shipped him off to one of the toughest youth welfare institutions in Freistatt. This was followed by a career as a bouncer in the city's most notorious music club and an attempt to start a family. Today, the 77-year-old from Bielefeld lives with his dog Lucky in a lonely house in the country. Despite adverse living conditions, he has survived in his own unique and inimitable way.
Feature length documentary examining the troubled life and tragic death of college football standout and talented NFL running back Lawrence Phillips, whose scars of childhood abuse and abandonment haunted him throughout his career.
The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
One of the most asked questions is why a loving God allowsdeath and suffering. The heart of the Creator is revealed as Gary Bates persuasively unfolds the often overlooked issue in today's evolution-creation culture wars - the vital 'big picture' of the Gospel. Many hearts and minds were changed after hearing Gary explain the Gospel message with a powerful, yet compassionate approach.
Röbi has lung cancer and only a few months to live. He does not want chemotherapy or radiation. The film accompanies Röbi on the last metres of his life.
Romania is on the last place in Europe in terms of highway kilometers, but on the first place in the number of deaths in road accidents. Entrepreneur Stefan Mandachi builds 1 meter of highway on his private property.
A lonely 40-year-old man sits on the balcony of a Finnish apartment building. Joonas Berghäll has learned that he will die in 14 years’ time, unless he changes his way of living or attitude towards life. Joonas wants to make a film about the state of wellbeing of Finnish men, drawing from his own experiences and mirroring the society at large. The film is built around six stories. It starts with the context of school and proceeds through the contexts of military service, custody battle, burnout and substance abuse to end on the subject of premature death caused by health problems.
An emotive, intimate film on the life and death of acclaimed young Northern Irish journalist Lyra McKee, whose murder by the New IRA in April 2019 sent shockwaves across the world. Directed by her close friend Alison Millar, the film seeks answers to her senseless killing through Lyra’s own work and words.
Efrain, known as the Reaper, has worked at a slaughterhouse for 25 years. We will discover his deep relationship with death and his struggle to live.
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
Harold Russell, an American soldier who lost his hands in a training accident, tells the story of his medical rehabilitation at Walter Reed Army Medical Center in Washington DC, how he and his fellow amputees at the hospital at first despaired and then found new hope in the prostheses and training available to amputees through the Army's medical corps. Russell learns to wear and to operate the hooks which replace his hands and becomes competent to perform many tasks he had once thought no longer possible. Discharged from the Army, he is welcomed into Boston College by college president William J. Murphy, S.J.
Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.