Bread and a Blanket

Hitlers Sista Dagar

Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

Les SS de la Das Reich, un parcours de la désolation

The work of Leiden professor Bastiaans on dealing with the trauma of war victims attracts the attention of filmmaker Louis van Gasteren. He decides to make a film about the psychotherapeutic treatment with LSD of a former concentration camp prisoner in the clinic of Bastiaans. Patient Joop is arrested in September 1941 and begins a long hellish journey through various camps, until he is liberated by the Russians. When he returns to his wife, he has become a completely different man. Joop suffers from nightmares and is incapable of normal human contact. With two cameras, Van Gasteren records approximately six and a half hours of the first treatment that Joop undergoes with Bastiaans (four more will follow later). Special attention is paid to details: Joop's hands, the sweat on his forehead, a tear running slowly down his cheek. Van Gasteren reduces the recordings to more than an hour.

Is it morally acceptable to use the civilian population as yet another tool for waging war? Is it possible to justify death and destruction for the sake of supposedly lofty ideals? The question remains as pertinent today as it was at the beginning of World War II, and it is becoming increasingly urgent to answer, as countless tragedies have been caused by unethical political decisions.

The Unknown Woman is a documentary film scripted and directed by Elina Kivihalme. It depicts the reality of Finnish agriculture and forestry during the war years, when the home front relied entirely upon the work and endurance of the women. All farm work, caring for the children, woodcutting and other forestry operations were undertaken by the civilians, as the men in their prime were on the front.

Canada: A People's History - Episode 14: 1940 to 1946 CE. Canada comes of age in the anguish of World War II, with soldiers on the beaches at Dieppe and women in the industrial work force back home. The country's military role, and the domestic, social and political consequences of the war are traced through poignant stories of Canadians on both sides of the Atlantic. The horrific global conflict steals the innocence of a generation... but brings hope for a new future.

This FitzPatrick Miniature visits the Union of Soviet Socialist Republics (USSR), the largest geographically unbroken political unit in the world, covering one-sixth of the world's land mass.

A filmmaker embarks on a poignant journey with his parents to the secret city where they unknowingly contributed to the creation of the first atomic bombs.

Kerkini: The Bird Sanctuary

Compiled from the Imperial War Museum Official Collection, this film collects rare and previously unseen film material shot by official cameramen on behalf of the RAF before the formation of the RAF Film Production Unit in September 1941. It tells the story of the RAF in the early years of the Second World War through the "phoney war", the Blitzkfreig and the Battle of Britain, capturing everyday life for those who served as wel as the RAF's frontline aircraft of the period. Other highlights include a fillmed account of a Blenheim raid on Northern France, a Sunderland flying boat sortie over Norway and Winston Churchill inspecting the new American aircraft for the RADF including the B-17, Douglas Boston and P-40.

Henry Ford, the legendary automobile manufacturer, James D. Mooney, the GM manager and Tom Watson, the IBM boss, were all awarded the Grand Cross of the German Eagle, the Nazis' highest distinction for foreigners, by Hitler for their services to the Third Reich. At this time, in 1937 and 1938, Hitler's armaments industry was running at full speed. The German subsidiaries of these American companies - Opel, the Ford Werke AG and Dehomag - had willingly allowed themselves to be integrated into the "Führer's" war preparations. The film concentrates on the companies which were indispensable for Hitler to wage war. The documentary is supported by new archive material, as well as interviews with contemporary witnesses and experts.

The inspiring story of the unemployed man who stood up against the Greek crisis and created a social kitchen for the homeless and refugees.

Made famous by the 1957 Hollywood movie, the bridges of the River Kwai emblematize one of the most misunderstood events in history. Contrary to the romanticized film version, the structures represent a period of terror, desperation, and death for over 16,000 POWs and 100,00 local slaves. The Thailand - Burma Railway was the vision of the Japanese Imperial Army: a 250-mile track cut through dense jungle that would connect Bangkok and Rangoon. To accomplish this nearly impossible feat, the fanatical and ruthless Japanese engineers used POWs and local slaves as manpower. Candid interviews with men who lived through the atrocity - including Dutch, Australian, British, and American POWs - illuminate the violence and horror of their three-and-a-half-year internment. From Britain's surrender of Singapore the enduring force of friendship, The True Story Of The Bridge On The River Kwai narrates a moving and unforgettable account of a period in history that must be remembered.

This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.

Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

How did the USSR - a country considered a second-rate industrial power, economically inferior to Germany, the USA and the UK - shape its victory over the armies of Hitler's regime, and secure its place among the winners?