Pokój nr 13

Returning to his father's cattle ranch after the excitement of serving in combat overseas, Bud McGraw becomes restless, and his father decides to send him to an old friend who commands the Border Police in Texas. On the way he meets Peggy Hughes, accompanying her Uncle Graham, a customs inspector, and he retrieves her hat from the rails of a train. At the headquarters, numerous scrapes and fights win him the admiration of, and friendship with, the men. Lazaro, a Secret Service agent, invites Mrs. Graham and Peggy, who are staying at the border station, for an automobile ride, and they are captured by bandits and held for ransom. Bud and his pals deliver the ransom and discover that Lazaro is the bandit chief. Lazaro refuses to release Peggy, but a jealous rival, Nita de Garma, causes his downfall and shoots him as the Border Police arrive to rescue the party.

Directed by Max Urban.

One of the two earliest horror films ever made. This film is presumed lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

A prosperous small-town peddler accedes to his family's wish to move from their secure existence to the uncertainty of New York City. It proves fruitless and eventually his kin sees the error of their ways and return to their true home.

A Greek man falls for an injured French woman. When he is informed of her death, he continues to sing under her hospital window every night.

Adventures of an American Secret Service-girl in search of an important German secret during the war. Chapters: [1] “The Great Secret,”; [2] “Marked for Death,”; [3] “The Gas Chamber,”; [4] “Below the Waterline,”; [5] “The Acid Bath,”; [6] “The Unknown,”; [7] “The Betrayal,”; [8] “A Crippled Hand,”; [9] “Woes of Deceit,”; [10] “The Inn of Dread,”; [11] “The Death Studio,”; [12] “The Chance Trail,"; [13] “Wings of Mystery,”; [14] “The Hidden Way,”; [15] “The Secret Host"

Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.

A 1919 film directed by Edward José.

A 1920 film directed by Roy William Neill.

Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.

An unauthorised adaptation of the novel by Alexandre Dumas. Produced by Selig with the intent of beating Adolph Zukor's adaptation to the screen, Zukor successfully sued and the prints were ordered to be destroyed. The film is now lost.

Robert Bardon has searched for years for animal trainer Gamo who seduced and abandoned Brandon's daughter Gladys. Finding him at last he corners him in a room and exacts his revenge.

A 1919 film directed by Sidney Franklin.

The story of Edgar Pomeroy, the first in a series, in which the boy Edgar imagines himself the triumphant master of his fate, revenging himself on a scornful young female classmate. But then the real events are seen in contrast with the ones Edgar has created in his mind.

A young girl is kept ignorant of her mother by her aunt. After her aunt dies, the girl is used by crooks and arrested. In prison she meets a kindly woman, who is married to a judge. The woman, unbeknownst to the girl, is her mother, and adopts her. The companion of the deceased aunt, in the midst of a ball, denounces the mother and reveals her secret to the judge and guests. The judge will not forgive his wife, so the mother and daughter leave and work among the slums to benefit humanity. Eventually, the judge relents, and seeks his wife for forgiveness, but he is too late.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

Jack Lane (William Stowell) has made an invention for photographing wild animals. It consists of a camera with a trigger -- when the trigger is stepped on by a passing animal, a flash goes off and the camera shoots the picture. Lane goes up to the mountains to try out his new contraption. When a recluse refuses to let him spend the night in his cabin, Lane goes to sleep out of doors, with the camera set up near by. In the middle of the night, he is awakened by the flash and the sound of gunshots. Trekking back to his own cabin the next day, he develops the picture, which is of a girl holding a rifle. He returns to the recluse's cabin where he is arrested for murder.

After divorcing her husband Kent, actress Anne Wetherall returns to the stage. Upon receiving a plea for help from childhood chum Nell Jerrold begging Anne to save Nell's daughter Betty from marrying Kent, the ex-Mrs. Wetherall decides to journey to the Jerrold's home in the town of Wheaton to investigate.

After a man's wife leaves him for a sculptor, his only comfort is a statue of his wife.