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Die Durchbruchsschlacht in Galizien

During the COVID-19 pandemic, two college students set out to make a revolutionary television show. The pilot episode was uncovered and presented alongside exclusive interviews with the cast and crew.

Captain Kleinschmidt leads an expedition sponsored by the Carnegie Museum to the arctic regions of Alaska and Siberia to study the natives and the animal life.

Short film about an express steamer

In this color short, Albert Conti brings Mary Carlisle inside a studio to see some new outfits available at J.J. Haggarty’s, Los Angeles.

Jirón is the story of “Jirón de niebla” (Shred of Fog), the last film made by Mexico’s duque of horror, Carlos Enrique Taboada, which, for several reasons, was never shown or premiered. The mistery behind the disappearance of this film will be revealed in a series of interviews with the people who worked on it.

Documentary about the lost 1914 film "Sperduti nel buio". Film historian Denis Lotto journeys across Europe following the trail of the lost movie.

Lost film from 1888, directed by William Friese-Greene.

One of the pictures to be seen in the machine, for example, was that of a blacksmith shop in which two men were working, one shoeing a horse, the other heating iron at the forge. One would be seen to drive the nail into the shoe of the horse's hoof, to change his position and every movement needed in the work was clearly shown as if the object was in real (life). In fact, the whole routine of the two men's labor and their movements for the day was presented to the view of the observer.

Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.

During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, "Thunder Over Mexico", the producers excluded the Death Day material for subsequent compilation as an independent short subject. Silent with music track and explanatory English intertitles.

A staged actuality attributed to the Biograph Company, produced during the Spanish–American War. The film depicts a Jack Tar climbing a mast in Puerto Rico, tearing down the Spanish flag, and replacing it with the American Stars and Stripes. Contemporary accounts note that such scenes brought U.S. audiences to their feet in patriotic fervor, serving as powerful wartime propaganda. The film is generally considered lost, with its existence recorded in writings by Erik Barnouw and other historians of early cinema.

Scene from a Trilby-themed stage play. Lost.

Commissioned by the U.S. Treasury Department, the film follows an inspector conducting surprise inspections. Note: As of now, the film is considered lost and no known copies are publicly available.

In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.

A showcase of trapeze artist Alciede Capitaine, billed as “The Perfect Woman,” whose daring feats on the flying bar combined grace with breathtaking athleticism. Produced by Edison in 1898, this title should not be confused with Dickson’s earlier 1894 short Mlle. Capitaine, which also featured the performer.

A line is shot to the man clinging to the overturned boat. He fastens it to his body using all his fast failing strength. The crew pull him through the surf to the shore, where he is rolled and patted and worked over until resuscitated.

Bhat, a member of the Moi tribe in Indo-China, loves Dhi, but her father Khan does not believe Bhat is worthy of his daughter, as he lacks hunting and warrior prowess. The tiger, Kliou, has been attacking Moi villages, taking people and livestock. During a hunt, Khan is severely mauled by the claws of Kliou. Witch doctors claim that Khan can only be saved by Kliou experiencing a similar bloodletting.

In 1985, Star Trek's George Takei joined a group of dedicated fans to make a student film deep in the California forest—only for the footage to mysteriously vanish. Nearly 40 years later, Beam Me Up, Sulu unearths this lost film, revealing not just a piece of fan history but a broader story of representation, resilience, and the ongoing fight for inclusion in media and society. The film was released as Yorktown: A Time to Heal (2022)