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"China Gate" tells the story of young Chinese fight to change their fate through studying. Right before dawn, students in Huining have already started their self-studying session; hard working youngsters have filled up the space of school ground. This is one of the most poverty-stricken Counties in Western China; here people's only hope is in education, as the way to change their social status. Therefore all their effort point towards the College Entrance Examination, the process is like going through a gate, those who pass can study at urban Universities, and have the chance to build a better life. During the same winter season in Beijing, a graduate student faces a big decision. Should he keep trying to survive in the big city or get back to his countryside home? The exhausted faces at the Beijing underground seem to be revealing the truth about their distance in between. The student comes to see the flag ceremony at Tiananmen Square, where the pulsing symbol of the nation lies.

The Check Fun Store is an innovative business model. Every store is divided into hundreds of small checks to display and sell a wide range of creative products provided by people who rent these checks. Thanks to its risk diversification nature, the Check Fun Store business model proliferated in Taiwan when the financial crisis hit in 2007 to carry people through the global economic downturn.

Yulin, once the poorest region of Northwest China, has rapidly become "China's Kuwait" for the mining industry launched in recent years. People rush into the coal mine and other coal-related businesses, hoping to get rich overnight. They are possessed by anxiety and restlessness. However, it seems they have no other choices…

In northern Shaanxi, those three-wheeled trucks who came to the city from rural areas came to be suffering. They talked hard and finally sent their children to distant universities. Four years have passed, the big children can't find a job, the future is uncertain, the smaller children have come to the age of the university. It seems to be in the instinct, a family is still like a hen hatch, waiting for the new hope to break out.

The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.

Different veterans, different memories of the Anti-Japanese War, and different lives. The oral narratives of 7 veterans show you the pictures of the Anti-Japanese War in that year, and take you to understand the current situation of the veterans of the Anti-Japanese War in Guangdong.

Class 172 is a key class for their excellent students of an ordinary secondary school in Hunan province, from which the kids’ main goal is to upgrade into one of the best province-level high school – No.1 high school of the county. In the recent few years, the school’s enrollment rate to high school was not quite satisfying, and this year, the newly promoted class in charge teacher – Mr. Xiang, who’s only graduated a few years ago, became their brightest hope to teach the students and raise the enrollment rate for school.

The documentary film, The Road, reveals the status of 22 students who study in a private village school in Hunan Province. Through in-depth interviews, the inner world of these “left-behind children” who are lack of parental love has been explored. We hope that through this film, we could hear the responses and actions from our society.

A silent film by Vietnamese director Truong Minh Quy in collaboration with Belgian director Nicolas Graux, was shot on the set of a film by Graux. We Sit in Silence at the Memorial Table is inspired by Educational Objectives, a poem written by Aleksey Garipov and translated to English by Nicolas Graux.

Seedlings protection rite (also called the parade of big rice dumplings) is a spring agricultural festival of Hakka people in Western Fujian, China. People worship the God of Grains (Shennong) in the rite. People collect thousands of fresh bamboo leaves, sew them together and make a pair of big dumplings filled with 120 kilograms of rice each. They also make tens of thousands of finger-sized rice dumplings for believers to take home. On the 15th day of the 2nd lunar month, villagers carry out the statues of the God of grains and big dumplings. Followed by flowers cars, eight sheds carry children chosen from every clan name in the village who are dressed up as ancient heroes, as people parade around the village. After the rite, villagers believe that farmland is awakened and that disasters are averted. A new agricultural cycle begins.

The arrogant Hua Pozi, the first-time brother who is full of joy. Even the seemingly greasy, exaggerated, and gaudy drum art seems to be unrelenting in the villages and villages.

In 1978 Deng Xiaoping set up Shenzhen as a Special Economic Zone in China, and this decision led to the rapid development of Guangdong economy. Numerous factories have been established, millions of people are attracted because of gold rush. Over 30 years later, young people who were away from their home have already stepped in the midlife. Guangdong has become a representative of job hunting and has been drawing a newly young generation who has faith and uncertainty to the future. This video revolves around three working-class boys who are the 90s generation.

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”

Hyacinthine Scar condenses the undigested emotions in me while traveling from Hong Kong to my brother’s wedding in Guam. Presences and gazes of all sorts, to look and to be looked at, repetitive camera work of the hired videographers, the vow that is rehearsed over and over again by the priest, all the uncontrollable clickings of the shutter from all us (including myself), and the endless sightings of different sides of the fragmented Western Pacific. The many spots I visited appear as though they belong to passersby. They are as real as they are dreamy.

Yuguo, from Mongolia, lost his father when he was very young. His mother Liuxia was not able to raise him as a heavy drinker. With social support, she sent Yuguo to Wuxi for free education. Liuxia is depressed all day long, and she finds sustenance of missing Yuguo in reindeer and wine. One winter holiday after many years, Yuguo returns to his hometown, the Evenki settlement deep in the Greater Khingan mountains. At that time, he is no longer the boy who just left home, but a thirteen-year-old teenager. Facing alcoholic mother, poetic uncle, pure people from the tribe, familiar yet strange forest, Yuguo, who grew up in the city, doesn’t know what to do. In the snow-laden mountains of Aoluguya, northeast of Inner Mongolia, the film chronicles their brief time together. Yuguo and His Mother is the second documentary of Gu Tao’s Evenki trilogy.

In the mountains of western Fujian, mushrooms emerge in large numbers after rain. Hakka people pick mushrooms up the mountain with baskets at three or four o 'clock in the morning. The process of picking mushrooms is also the process of harvest.

In the sound of rice huller, the rice falls to the jar; and in the booming sound of thunder, the rain drops falldown on the ground. Witha shovel on shoulder, we're farming under the sky. -- This is a children's folk rhymes used to be very popular among the Hakka people lived in the westernpart of Fujian Province, China. While farming is not an easy work, rice hulling is an even more laborious work. Rice-huller is a tool used by the peasants in southern China to hull the rice for thousands of years in theirfarming history. This documentary films the making of probably the last rice-huller ever made by mankind.

Record the entangled experience for changing the genealogy. Record the experience for engraving movable type, hand-printed.