I Loved So Much...

Is it anyone's business if consenting adults want to pay or accept money for sex? Sex worker and author Maggie McNeill tells her startling tale about the persecution of sex workers based on the false assumption that most of them are exploited victims of pimps and traffickers. Her movement is challenging these assumptions and the powerful political and cultural forces behind them.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

La Vie sans Brahim

Shot on location in a very remote part of southern Morocco, this short film looks into the amazing craftsmanship and dedication of the Berber rug weavers in the region. These incredibly talented people are part of an ancient tradition that still employs centuries-old techniques to produce beautiful and unique handwoven rugs.

When Lena and Ulli start the engine of their old Land Rover, Lady Terés, they have a plan: to drive from Hamburg to South Africa in six months. What they don't know yet is that they won't ever get there. Two totally different characters, jammed together in two square meters of space for almost two years, they experience what it really means to travel: leaving your comfort zone for good.

Em is an escort girl and a heroin addict. From New York to Los Angeles via Pittsburgh, Em’s daily life is revealed.

A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.

Radical feminist Andrea Dworkin's expose on the pornography industry.

1961 documentary about the history and seedy reality of the sex industry in London's Soho.

Following the death of Amina Filali, a 16 year-old girl who killed herself after she was allegedly forced to marry the man who raped her, a young woman carries a personal investigation into the representation and perception of rape in Morocco. Here rapists are offered to marry their victims as a means to save the "honour" of the family. By liberating the voices of these victims, 475 : Break the Silence gives an unprecedented view of family, the deceit of love, relationships, marriage and honour in urban deprived areas of a country seeking to find its identity between modernity and tradition.

At 14 Rabha El Haimer was an illiterate child bride, beaten, raped and then rejected. Ten years later, she is a single mother, fighting to legalise her sham marriage and secure a future for her illegitimate daughter. With unprecedented access to the Moroccan justice system, “Bastards” follows Rabha’s fight from the Casablanca slums to the high courts.

Four women are on an existential journey in Morocco, connecting with local women from all walks of life bonding in sisterhood, and share their common quest for empowerment.

Lila

21st century legal prostitution through the frank stories of Amsterdam red-light district sex workers at a time when tighter regulation threatens their livelihood.

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.

A worn-out floor, the hole underneath, a political activist, and the Ouled Sbita tribe are the protagonists in this political satire. For 23 years, the director’s chair at an international art institute scratched the wooden floor. This 102cm x 120cm floor section is cut out and sent to an expropriated piece of land in Morocco. In The Hole’s Journey, Ghita Skali uses sharp wit, personal stories and playful editing to touch on specific power dynamics and freedom of choice.

Occupation Inc. exposes European businessmen and politicians involved in the economic exploitation of Western Sahara, the last colony in Africa and one of the most militarized, violent, and censored territories in the world.