It's Christmas Eve, and Synnøve is searching for her drug-addicted daughter Michelle in an almost desolated city. During the course of the evening, she'll find herself in an impossible situation where she's forced to choose.
When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.
Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'
Naître d'une autre
Pivetta
Director Abby Epstein's controversial documentary takes a hard look at America's maternity care system, juxtaposing hospital deliveries against the growing popularity of at-home, natural childbirths that some expectant parents are opting for. Former talk show host Ricki Lake was inspired to produce this compelling exposé after a dissatisfying birthing experience with her first child left her with many unanswered questions.
Women from widely different cultures speak out about giving birth, and about the traumas they have experienced when the birth does not go as expected.
One of the biggest burdens a soul can carry is the loss of a loved one. How do you let go of someone you brought into the world? In this documentary, Lorraine Battle speaks on the death of her son, Calvin Antoine Battle.
Documentary footage from various sources, set to music. Showing the whole of human life, from birth to death and beyond.
The final months of pregnancy and the first ones after the birth of a baby are unique experiences in a woman's life. And when this daily life is lived inside a prison?
A story about the special relationship between Jaana and her daughter Liisa who died in a traffic accident at the age of 16.
A filmmaker captures her wife’s journey of high-risk pregnancy, birth, and early motherhood in this short documentary. Consequently, she discovers her own fear and insecurity surrounding the adventures of parenthood — all while completing the adoption process for her non-biological son, as required by heteronormative North Carolina state law.
Impressionistic glimpses of London life from early morning to rush hour.
Acclaimed Montreal band Thee Silver Mt. Zion Memorial Orchestra is one of a growing number of rock groups to have accepted an infant into their touring tribe. Touring with children is both costly and complicated, yet SMZ are determined to combine family life and being on the road with the band's deep political commitment.
This cinema-verite-style documentary interweaves the pregnancy and childbirth of a young woman with the lingering death of a cancer patient to comment on the celebration and tragedy of existence. The tenderness and intimacy of the young couple, and the mystery of birth are contrasted with the dignity of a man who faces his death without deception.
Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.
Love Alone Can’t Make a Child chronicles the love story and emotional odyssey of Maria and Christiane who, for over a decade, have been trying to fulfil their desire of giving birth to a child of their own. The director, a childhood friend of Maria, lovingly narrates the couple's journey, showcasing their resilience in the face of ever-increasing challenges, and the intricate dynamics of a relationship under tremendous strain. More than anything else, the film continually pursues what love truly means in a long-term romantic relationship.
The everyday life of midwives unfolds on the threshold where new life is born and life may fade away. The film shows how midwives support couples during pregnancy and birth. It lets us participate in the balancing act between a safe and a perfect birth.
As her adolescence gives way to the obligations of motherhood, troubled Gemma matures in Motherwell, her Scottish hometown, heavily dependent on the steel industry. Unfortunately for her, her hedonistic way of understanding the world does not fit in with the philosophy of the rest of the villagers, so trouble soon follows.
The painful exit of a child of man in the world of God. The highest sense of being and the earthly joy of man and woman.