A blind man accidentally loses his guide-dog. Alone in the dark in a big city, he discovers that his strength lies in recognising his own vulnerability.
Souvenirs, memories, nostalgia, alienation, the ephermal quality of life ...these are the subjects of this animated diary. The film is not made in the usual way (screenplay, storyboard) and was born at the moment when the author sat at his desk and began animating.
A collaborative experiment between 14 artists around the globe. Each artist creates a background, All backgrounds are traded randomly, and then animated upon freely.
The climbing of an immense staircase made up of the most varied stairs. Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly. The steep staircase leads little by little towards the zones of great light where human beings and nonhuman beings meet.
Derived from an installation, an asymmetrical orchestration of "motion paintings" pushing the limits of abstraction in the digital age.
War Song
Experimental film by Patrick Bokanowski.
Montage of still photos with lighting effects.
A series of vaudeville acts inserted in images of reality, meant to demonstrate the ephemeral nature of all things.
Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.
CHERRY AND VIRGIN—a 'nervous romance' about Ryou, a 32-year-old erotic manga artist who has no experience with women, and Ami, a 28-year-old fujoshi who has a bad impression of real men.
A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.
A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.
Memories split in the space.
Fantaisie érotique
Reworked and colored images of people playing at the seashore.
2018 short film by Patrick Bokanowski
"Beyond Noh" rhythmically animates 3,475 individual masks from all over the world, beginning with the distinctive masks of the Japanese Noh theater and continuing on a cultural journey through ritual, utility, deviance, and politics.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.