Puto Paraíso

Homophobia didn’t just happen. Orchestrated campaigns by cultural institutions and public figures have systemically instilled anti-LGBTQ prejudice into American culture by shaping public opinion.

Chiyo is a poetic exploration of the suburbs in Japan through the filmmaker’s reflection on the life of her grandmother. With a series of everyday moments in Yashio from a summer fair to Buddhist rituals, the film embodies micro-narratives, seeking cinema’s ability to offer a contemplative space.

A heavily edited look at a routine dog walk with 3 small pups.

The anguish a woman experienced on the night of September 7, 2017, caused by the 8.2 magnitude earthquake that struck southern Mexico and the danger of another impending disaster.

Mezquite is a large tree with many virtues and is in danger due to the neglect that has been had with its species in recent years.

A man tries to get a group of young people trapped in drugs out through philosophy.

For its reproduction, the megaloprepus dragonfly specifically relies on periodic puddles in tree holes and bromeliacea in tropical rain forests. Territorial males tenaciously defend these resources. Females lay their eggs in the water holes of the territorial males and are guarded by them. Any satellite male - i. e., one without a territory - who tries to grab a female is driven away by the territorial male.

The film shows the prey-catching behaviour of the edible frog at a small garden pond and at a gravelpit. The catching of creeping and (under experimental conditions) hanging earthworms, of flies sitting on the surface of the water and of egglaying dragonflies (Sympetrum spec.) in tandem position are visible.

A portrait of Jamaican-born artistic polymath Barbara Samuels. Featuring an account of her first generation, diasporic experience in Southend and London, and her discovery of hippiedom and the personal freedoms offered by entry into creative life.

An engagement with love and loss, presence and absence that become ritualised in need for recognition.

In Kitchen Beets, Bea Haut presents – with punchily sequential rhythm – an itemised domestic space, placing before her 16mm camera a succession of utensils that speak to the tactility of the artist’s own analogue practice.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.

A passionate group of Australian same-sex ballroom dancers battle homophobia, injury and personal drama as they pursue their dream of competing at the Gay Games in Germany.

Bird watchers on both sides of the U.S.-Mexico border share their enthusiasm for protecting and preserving some of the world's most beautiful species.

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Describing herself as a 'street queen,' Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.

1977: Grêmio lives a dark period in its history, after losing the last eight Campeonato Gaúcho to Internacional. Then there was a crowd that would shake up the structures and prejudices of the universes of the gaucho football and forever mark its name in history: the Coligay, the first organized football group of supporters formed exclusively by homosexuals.

Die Demonstration