Soon after New York state passed a 2015 law that health insurance should cover transgender-related care and services, director Tania Cypriano and producer Michelle Hayashi began bringing their cameras behind the scenes at New York’s Mount Sinai Hospital, where this remarkable documentary captures the emotional and physical journey of surgical transitioning. Lending equal narrative weight to the experiences of the center’s groundbreaking surgeon Dr. Jess Ting and those of his diverse group of patients, BORN TO BE perfectly balances compassionate personal storytelling and fly-on-the-wall vérité. It’s a film of astonishing access—most importantly into the lives, joys, and fears of the people at its center.
A film about the transition of three trans teenagers, the upheaval it causes in them and their loved ones, as well as the quest for identity buried deep within them.
A documentary about the making of Oliver Stone's Vietnam War film, Platoon (1986).
Filmed over five years in Kansas City, this documentary follows four transgender kids – beginning at ages 4, 7, 12, and 15 – as they redefine “coming of age.” These kids and their families show us the intimate realities of how gender is re-shaping the family next door in a unique and unprecedented chronicle of growing up transgender in the heartland.
A short Documentary about Tattoo Artist Dustin Stephenson and his Struggle´s to survive during the first COVID-19 Pandemic in Summer 2020.
James Nesbitt moved to New Zealand in 2011 when he landed the role of Bofur in Peter Jackson's Hobbit trilogy, but he says the country remains largely unknown to him. Travelling more than 1,000 miles from the tip of the North Island down to the South, the actor finds out more about the place he has called home, visiting areas of natural beauty and learning about the nation's history and traditions. Along the way, he meets former All Blacks player the late great Jonah Lomu, takes a trip around film star Sam Neill's vineyards in Queenstown, catches up with Peter Jackson and goes Base-jumping from the tallest building in Auckland.
When Ariel was in elementary school, she often lied in her mother's arms and listened to her recounting memories about Ariel. In 2024, at the age of 26, Ariel invited her mother to share her experiences about her pregnancy, but she declined. So Ariel interviewed her close friend and her mother instead. If Everyone is just an observer of memories, what is the meaning of retelling them once again? Are children and their mother bonded by blood, by relationship, or by an invisible gap within the streams of memories?
A documentary on the daily life of local street performer Lai Yee as he showcases his talents to the charming Swiss town of Vevey.
La Traversée du Vercors
This urgent documentary uncovers the real-life, long-term impact of cyber violence and online sexual abuse and how it reshapes lives, communities and our entire digital culture.
A meditation on the intersection of Afro-Caribbean and Indigenous American existence.
Była łąka
Koral - koń nasz przyjaciel
Wśród łąk i wód
A look at the popularity of donkeys.
Flora Tatr
"Pretend I existed" is a memoir about the filmmaker's relationship with his mother when she had her cancer treatment in Japan.
Na wyjeździe
A brief amateur silent film (1'54", DCP from 9.5mm reversal, 16 fps) without intertitles, sourced from Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna. It forms part of a larger group of 27 amateur 9.5mm films attributed to Nena Lavello, who was 16 years old at the time of filming. Shot during the spring and summer of 1925, the collection documents a range of domestic and travel scenes, including visits to Sicily, Campania, and northern Italy. This particular film captures moments of leisure and companionship on the beach at Lavagna, reflecting the filmmaker’s early engagement with light, composition, and movement. As noted by Michele Manzolin in the 2025 Pordenone Silent Film Festival catalogue, the footage serves as a visual record of youthful play and friendship, offering insight into the personal and expressive potential of early amateur filmmaking.
Film by Franca Donda and Josefina Jordán for the feminist collective Grupo Miércoles.