La donna è cambiata, l'Italia deve cambiare

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.

Fogelstadgruppen

With analog and digital material collected during her stay on a "Work Trip" taking care of children in an American kindergarten as a migrant. I'm not speak English proposes —as a visual autobiography— to make visible a phantasmagorical light as a metaphor for the sudaca's bodies that work in invisible care task. Migrant bodies who bear as an imperceptible force the North American Nation.

Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.

Lesbian Mothers

An overview of 21st-century feminism through the lens of pop culture.

As the U.S. planned to withdraw troops from Afghanistan in September 2021, Canadian-Afghan filmmaker and journalist Brishkay Ahmed was filming IN THE RUMBLING BELLY OF MOTHERLAND. Revealing the ongoing dangers for women reporters, and the extraordinary risks they take, this brave film provides an in-depth look into Zan TV, Kabul’s female-led news agency. A professional journalist herself, Ahmed documents both the harrowing and inspiring work of young, female journalists over the course of the two-year lead up to the Taliban takeover of Afghanistan. Following parallel news stories as they unfold – two sets of national elections as well as ongoing U.S.-Taliban peace talks – the film reveals the daily hurdles Afghan female reporters and media staff face, underscoring the existential current events that threaten both Zan TV as a media outlet and the livelihoods of the women at its heart.

An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.

In the 1970s, Françoise d'Eaubonne stood out in the French intellectual landscape. At 50, she has already won several literary prizes and published around forty novels and essays, but is resuming her militant fight with renewed vigor. She is the first to define ecofeminism, denouncing the common oppression of women and the planet as a consequence of patriarchy. She participated in the actions of the MLF (Women's Liberation Movement), in the creation of the FHAR (Homosexual Revolutionary Action Front) and theorized counter-violence, going so far as to sabotage the construction site of the Fessenheim nuclear power plant. This film presents unpublished documents for the first time. Drawing freely from the manuscripts and photographic archives that she bequeathed to the Memory Institute for Contemporary Publishing, her relatives and researchers, historians and publishers comment on the resonance of her feminist and ecological heritage.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

From the personal to the political, the experiences of diverse women speak of how masculinized and violent the streets still are nowadays. In three insightful conversations with female friends, collaborators and high school students, the director looks for a discourse about fear that is not fearsome, a discourse on violence that is not violent. Direct cinema, horizontal process, self-criticism and narrative breaks. Mostly, this is a tale of universal sorority.

Documental 'Las que faltaban' | Mafalda

Peaches - artist, feminist, rock star. She has been challenging gender stereotypes for over 20 years and is on par with the icons of the pop and rock world. With exclusive private archive material and current footage of preparations and concerts of her 2022 jubilee tour “20 Years of Teaches of Peaches”, we learn how the Canadian Merrill Nisker became the internationally celebrated musician and electro-clash icon Peaches.

A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.

Beauvoir, l'aventure d'être soi

With quiet intelligence and wry humour, retired documentary filmmaker Kathleen Shannon takes us through the arc of her life and career. Beginning with childhood, moving through her formative years, to her overwhelming desire to give women a chance to tell their stories, this film paints a vibrant portrait of one woman who blazed the way. It's a story of struggle, persistence, and success… and of course, of the NFB's Studio D.

How do feminist and queer identities operate in contemporary Belfast? Let Us Be Seen is a documentary film that presents the work and ideas of individuals on the ground in Belfast, who have campaigned tirelessly for change and continue to do so. On 21st October 2019, abortion was decriminalised and same-sex marriage legalised in Northern Ireland. This important law change however has shed light on more nuanced barriers facing people locally.

This is What a Feminist Sounds Like is the story of 80 year old social activist Pat Noonan and it is a guided tour of the burgeoning of woman's rights and gender equality in North America during the twentieth century, set in the small automotive town of Windsor, Ontario.

Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.

Documentary about the practice of abortion in France in the early seventies, at a time when it was still illegal.