HVATIR

In a space without limits, a being without identity confronts his own existence by asking himself six fundamental questions. In his search to define his essence, the protagonist enters an introspective journey marked by a lack of answers and uncertainty. Through this internal challenge, the character unravels the complexity of identity and self-awareness, inviting the viewer to plunge into the depths of existence, where unknowns and the absence of clear answers defy the limits of human understanding.

A police officer has a fever dream after having too much sugar.

A silent figure known as The Assassin travels through a nightmare underworld of tortured souls, ruined cities and wretched monstrosities forged from the primordial horrors of the unconscious mind of Phil Tippett, the world's preeminent stop-motion animator.

Set in a parallel universe entering a black hole, a woman reading the book of Revelation has visions of regeneration during Anthropocene.

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

1895 is a picture about the life of brothers Auguste and Louis Lumiere, who have immortalized their names as inventors of cinematography. What inspired them?

Visit He visits a city. The city already forgot him. The city is still sinking in his dream. The flicking segments of real life and illusion. Only the lighthouse has his memory. But the memory will may be vanished.

Bitter and hateful, the Grinch is irritated at the thought of a nearby village having a happy time celebrating Christmas. Disguised as Santa Claus, with his dog made to look like a reindeer, he decides to raid the village to steal all the Christmas things.

A postman, S.D. Kluger, decides to answer some of the most common questions about Santa Claus, and tells us about a baby named Kris who is raised by a family of elf toymakers named Kringle. When Kris grows up, he wants to deliver toys to the children of Sombertown. But its Mayor is too mean to let that happen. And to make things worse, the Winter Warlock lives between the Kringles and Sombertown.

Trapped in his nostalgia and haunted by the impermanence of things, a sad little ghost is unable to pass through the liminal space he occupies.

The everyday life of a Monkey is interrupted by a randomly seen advertisement on TV, in which someone named Mister Success invites the audience to become successful and cool by trying to win a talisman toy from the UFO catcher. On the way to success, the Monkey will have to face the guy from the advertisement, and only a dance battle will show which of the two of them is truly successful

I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.

For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.

A dream-like animated short. A woman cries, and her tears undergo a beautiful metamorphosis.

Postlife is a surreal first-person comedy animation series (say that three times really fast) that follows the journey of a lost soul on its way to heaven.

On the planet Ygam, the Draags, extremely technologically and spiritually advanced blue humanoids, consider the tiny Oms, human beings descendants of Terra's inhabitants, as ignorant animals. Those who live in slavery are treated as simple pets and used to entertain Draag children; those who live hidden in the hostile wilderness of the planet are periodically hunted and ruthlessly slaughtered as if they were vermin.

The Big Bad Wolf stalks Little Bo Peep and steals one of her sheep. She enlists Little Boy Blue and a dancing scarecrow to assist her and her mischievous black sheep in rescuing it. Singing, dancing, hilarity and impalement ensue.

Four children, all but one of whom go unnamed, build a snowman which comes to life and threatens their town.