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The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

A short film that gives voice and space for LGBTQIA+ blacks to express themselves freely, by reporting and documenting stories which are transformative for the viewer, proposing the correlation and criticism of two forms of social oppression: homophobia and machismo.

"Pajubá" is a language created by black LGBTs as a mode of resistance. Given this, the present short film seeks to rescue the reality of people who experience in their own skin the strength of intersectionality between race, gender and sexuality in the São Francisco Valley region.

A debate about the presence of black culture in Brazilian contemporaneity, as well as the various paradoxes found in the environment of a society marked by a racist and slavery tradition.

The documentary adresses the meaning of music and the musical diversity present in Umbanda (a Brazilian religion with afroindigenous roots). With interviews with four umbandistas from Fortaleza - Ceará, Crossroads of the Sound pays reverence to the enchanted dimension where the sounds cross each other to make the spirits dance.

This documentary accompanies the journey of artists who exalt and celebrate ancestry and the orishas in their work. It also offers a manifesto against one of the biggest problems facing Brazil: religious racism. The feature brings together stories from music, theater, fashion, dance and the visual arts to promote reflection on the power and importance of black representation, art and diversity

This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.

Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.

'Black girls don't play with black dolls', says the lyrics of Preta Rara's rap, one of the characters in It Looks Like Me. The documentary explores the lack of black dolls in the Brazilian market and shows the work of the artisans who try to change this scenario facing the gigantic toy industry with their handmade dolls.

The Other Side of the Atlantic is a documentary that builts a bridge in the ocean that separates Brazil and Africa. The film tackles the cultural exchanges, the imaginary created through the mirroring, the prejudice and dreams built in both sides of the atlantic through the life stories of the students of african countries in transit through Brazil.

MARCIANO

The film tells the story of a generous, engaged and provided woman who, with the help of other teachers, focuses on culture, art and the appreciation of black beauty, accompanying young Afro-descendant teenagers from Trancoso in the reconquest and value of their cultural identity.

Following a crucial theme in Brazilian culture, “Iemanjá – Ocean’s Goddess” will tell the story of Iemanjá, an Orixá or goddess adored by the Brazilian people and also known as the Queen of the Sea. With Ogum, the King of War, as her mentor, Iemanjá, who has psychic abilities, battles with Iansã, an Orixá worshiped as the Storm Goddess.

In love with Brazil and Maria, a soap opera heroin harassed by a corrupt contractor, Abdelinho suffers parallel ordeal in Morocco by pressure of Amr Taleb, a dogmatic, moralistic priest, enforcing religious purity on the community

Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.

Four inconsequential young people and a dream at stake... in an attempt to better understand the steps that followed a tragedy, stories are told and memories are revisited: dive headfirst into the chaotic universe of the band Vicious Resonance.

Benedito wakes up for another day of work as a motorcycle courier. Cradled by Raidol's Mandinga and guided by his Orishas, he receives mysterious deliveries to leave them at a final destination but the paths that open up go far beyond his everyday reality.

after years abroad due to his brother's murder, a renowned journalist returns to his family's home to take care of his mother, who suffers from an unknown illness. late at night, he is visited by two strangers. as new events unfold leading him to suspect that something ominous and deeply disturbing has struck his mother, a new tragedy rises.

"Outside the Aquarium" is the new exhibition of protagonist Jonas. In his paintings he portrays his experiences as a black immigrant and part of the LGBT Community expressing his fears, loneliness and dreams for the future.