Danças Negras

La puerta azul

Slow, une histoire d'amour

Back To Africa

Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

This documentary charts 20 years of the French national soccer team, Les Bleus, whose ups and downs have mirrored those of French society.

Savo from Kikinda (Serbia) and his brother recall how they called communal service few years back to empty the septic tank in their backyard. As careless servicemen weren't coming for days, Savo staged his death by drowning in the hole. Communal service sent three trucks while Savo was looking at them from the attic. A story of a small man who fought the system and won, only to become a huge YouTube hero afterwards.

Coffee-Colored Children is an autobiographical portrayal of Ngozi's, and her brother's, sad welcome to the world where the color of your skin dictates the amount of respect & love you receive.

On June 21 2007, the Howard Federal Government launched an intervention into Aboriginal communities in the Northern Territory. It was one of the most dramatic policy shifts in the history of Aboriginal affairs. Relentless media attention focuses on ideological arguments for and against the Intervention, while the voices of those affected by the policy are rarely heard. For this film more than 40 Alice Springs town camp residents were interviewed in depth over the course of eight months to find out the answer to the question - is it working?

The film expresses the history of oppression, discrimination, violence and hate in America. It was nominated for an Academy Award for Best Documentary Short.

A dynamic and lyric routine explores the relationship between the dancer and the performance space. Choreography by John Lam.

Many young girls dream of becoming ballerinas, but only very few are prepared to apply the all-out effort and make the sacrifices that this dream demands. The famous Vaganova Ballet Academy in St.Petersburg welcomes the most talented and determined young dancers, but it makes them no promises. RT Doc meets some of the young hopefuls storming the doors of the famous Academy to find out more about the dream they share, and to follow them on their first steps towards achieving it.

La Vie sans Brahim

Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.

Karolina Kuras is a Toronto-based ballet and portrait photographer. In this piece, we explore her creative collaboration with Canadian National Ballet dancer/choreographer Brent Parolin and Tanya Howard, as well as make-up artist Ashley Readings. We wanted to encapsulate the essence rather than the information. There are many pieces where Karolina is featured as a photographer discussing her work, but we wanted to get underneath the surface, into the intangible matters that drive and inspire her to create and collaborate so intimately. This project was captured on 35mm film, with a small crew in Karolina’s home studio.

The story of anti-apartheid activist John Harris - who was hanged after a fatal bombing in Johannesburg in 1964 - told by those who knew him best and through newly discovered home movies.

Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.

This short documentary profiles the traditional music and pageantry of Polish-Canadians in Manitoba. The heritage and national traditions of Poland were brought to Canada by immigrants and sustained across generations. The colourful traditional dress and lively music of Polish-Canadians is captured by ethnomusicologist Laura Boulton, a pioneering woman in the educational documentary film movement whose goal was to “capture, absorb, and bring back the world’s music.”

In the winter of 1991 an ABC film crew spent six weeks following Sydney's Redfern police. The inner city patrol of Redfern is predominantly working class with a large aboriginal and migrant population. The police in this film are general duties officers mostly on mobile patrols. At the time of filming 78% of police at Redfern were under the age of 25.

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

Taking us through Bangarra Dance Theatre’s spectacular growth, we follow the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse.