Anatomy of Violence

She was once as famous as Jackie O—and then she tried to take down a President. Martha Mitchell was the unlikeliest of whistleblowers: a Republican wife who was discredited by Nixon to keep her quiet. Until now.

CBS TV news special hosted by Harry Reasoner explores the way-out world of the Hippies and the Haight-Ashbury psychedelic 1960s LSD scene. Footage of LSDs users experiencing bummer trips. The Diggers, the Oracle and cool street and Golden Gate Park scenes with hippies tripping out. The Grateful Dead are interviewed and are shown performing "Dancin' in the Streets" on a flatbed truck in Golden Gate Park. The Hippie Temptation!

Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the South Australian regional town of Mount Gambier in the mid 1960s.

Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

A fine documentary that details the sordid life of 1970s pornographic actor John Holmes, from the stories of his fellow actors, his ex-wives, and directors. Clips of his work are shown and insight on what made the man tick are given. Despite all his flaws, you can't help but admire him for what he was.

Deconstructing The Beatles' Magical Mystery Tour explores the music written for the Magical Mystery Tour TV show, as well as the additional songs that appeared on the 1967 LP. In 1967, The Beatles embarked on an ambitious project, writing and directing a one-hour film, Magical Mystery Tour. The music written for the film is some of The Beatles' psychedelic best. In Deconstructing The Beatles' Magical Mystery Tour, Mr. Freiman delves into the creative process behind “The Fool On The Hill,” “Blue Jay Way,” “I Am The Walrus,” and other selections from Magical Mystery Tour. Scott will also “deconstruct” other songs from the Magical Mystery Tour album, including “Strawberry Fields Forever,” “Penny Lane,” and “All You Need Is Love.”

The story of the Londoners recruited to be freedom fighters during the South African apartheid during the 1960s.

Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the Western Australian regional town of Geraldton in the mid 1960s.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

A film about one of the most iconic images of the 20th century, the moment when the radical spirit of the 1960s upstaged the greatest sporting event in the world. Two men made a courageous gesture that reverberated around the world, and changed their lives forever. This film is about Tommie Smith and John Carlos' protest at the 1968 Olympics.

Andy Warhol directs The Factory regular Louisa "Jackie" Foster for a screen test.

Short subject on how fashion is created-- not by the great couturiers, but on the street.

In 2016, French writer and photographer Carole Achache took her own life. After Carole's death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the New South Wales regional town of Wagga Wagga in the mid 1960s.

A road safety lesson using puppets and animation kindergarten age children.

Fists of Freedom examines one of the 20th century’s most memorable moments — the dramatic “Black Power” demonstration of American sprinters Tommie Smith and John Carlos on the victory stand at the 1968 Summer games in Mexico City. Using rare footage, archival photos and interviews with key figures from the era, revisit a pivotal event in American history.

This film about Library services in Australia shows some of the work of the Commonwealth Parliamentary Library, the National Library with its varied resources and examples of State, University, special and public services suggesting their value in meeting needs for information at all levels. The library movement has become a vital part of Australian life. How libraries have fitted into society all over Australia, from the bustle of Sydney's Kings Cross to the remote outback.

This film is a story about that time in the Baltics, Latvia, and Riga. Young rebels of 1960s – nonconformists, hippies and beatniks – have turned into a generation of well-known writers, poets, musicians, directors, as well as politicians of the new independent Latvia. The ones who were 18, 20, or 25 in 1960s are half a century older today. The protagonists of the film are united by the bohemian gathering place of their youth, a small nameless cafe in the Old Town of Riga, commonly referred to as “Kaza” (The Goat). This place is surrounded by legends, myths and humorous stories.