La rosa dei nomi

Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.

Via reminiscences from writer/actor Gene Wilder and others, this documentary recalls the making of the 1974 film Young Frankenstein.

Documentary about the 1999 film. Featured on the special features for The Blair Witch Project Second Sight Blu-ray release.

The origin story behind one of Broadway's most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when "tradition" was on the wane as gender roles, sexuality, race relations and religion were evolving.

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

Nagisa Oshima interviews Akira Kurosawa, leading him to share his thoughts about filmmaking, his life and works, and numerous anecdotes relating to his films and his various film activities.

Horst Wendlandt tells the story of his cinematic work since the sixties. The dialogue between the "old and the young filmmaker" creates a fascinating spectrum of German film of the recent past.

A behind-the-scenes look at the making of Rob Schmidt's 'Wrong Turn'.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

Franz Josef Gottlieb talks about his Edgar Wallace films and the collaboration with producer Artur Brauner.

In the heart of Sicily, where the Mafia still rules, one man and his family-run TV station, has become the lone voice against corruption and organized crime.

Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.

Experience an inside look at David Bowie's incredible influence on music, art and culture via interviews with some of the people who knew him best.

Norway's most popular duo Karpe, invest all their money and time in an immersive show to be performed for only 100 people. What is meant as a gift to the fans and a creative awakening after 20 years as artists, almost costs them their careers and their friendship.

Chronicles the making of director Werner Herzog’s 2009 feature, My Son, My Son, What Have Ye Done, providing profound insight into the director and his craft. My Son, My Son, What Have Ye Done was inspired by the true story of an actor who committed in reality the crime he was supposed to enact on stage: murdering his mother. With longtime friend Herbert Golder behind the lens, Herzog reveals the privacy and deep solitude that defines the director and his art.

A behind-the-scenes look at the production of Baby Assassins: Nice Days.

This documentary is a detailed look into the making of PET SEMATARY, one of the most enduring cult-horror classics of our generation.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.