Dieux du Stade - Making of Calendrier 2016

Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.

A behind the scenes look at the sport of rugby with the 2015 Rugby World Cup as a backdrop, featuring interviews from players, coaches, referees and fans.

Exclusive two-disc film documenting the British and Irish Lions tour to South Africa in the summer of 1997. The unprecedented behind-the-scenes access to the team shows the preparations, the training, the fun, the team selection, the 'earthy' language, the bonding, the awesome task of playing and some shocking footage of injuries. Despite securing the series with wins in the first two tests, the Lions remained motivated by the prospect of a 3-0 whitewash, a feat never achieved against the Springboks throughout the century.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

Champions Factory: New Zealand's Black Blood

Meet the men, including the man claiming to have the World's biggest penis, who reveal there is a bittersweet side to nature's gift, and who lift the veil on a taboo subject and to show the reality of what it's like to have what all men dream of.

Quadriplegics, who play full-contact rugby in wheelchairs, overcome unimaginable obstacles to compete in the Paralympic Games in Athens, Greece.

During the 2013-2014 season, the U19 team of union rugby club of Auch are competing in the Crabos French championship. Teenager Antoine Dupont and his best friend Anthony Jelonch shared victories and defeats during this last season in their hometown, but also unavoidable village parties.

Since they were children, every summer they used to participate together in the traditional carnivals of their hometown. This magical celebration, transform men of the community into dionysiac figures with makeup, coloured costumes, glitter and feathers. Alcohol, friendship and parties out of control become the limelight. Boundaries get blurred with the heat of the sun at the edge of the imposing Paraná River.

Le Grand Combat du XV de France

Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.

In their spare time, after their studies or their work, children and adolescents between the ages of eight and sixteen meet at the School of Bullfighting in Madrid to learn the Art of Cúchares: Torear. In their stomachs there is no hunger as in the past, their dreams do not lie in having a farmhouse and being famous. Their only dreams are to be in front of a bull, animal with which death goes, fact of which they are fully aware, as their teachers continually remind them. These, retired bullfighters, some by age, others by force and all with their bodies full of scars produced by the horns of a bull. The nude bullfighting scene is fascinating without being exploitive, and it serves as an analogy for the vulnerability these young bullfighters have when in the ring with the bulls.

Philadelphia TV host Butch Cordora is on a mission to publish a calendar that recreates iconic photos in pop culture, featuring himself alongside a cast of exclusively straight male models--all in the nude, all for a starkly revealing creative journey.

Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body.

A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an ear, a mouth, a tongue, bits of hair, a hand, the tips of fingers, toes. Occasionally, the frame includes a larger scape of a body: a chest, a back, a breast. Usually the camera is stationery; sometimes, it moves across a body, remaining in close up. They hold hands for one moment. The bodies are without clothes; no genitalia are visible.

West Point Rugby's 2023 season after their National Championship win, exploring the team's distinctive culture while offering insight into both rugby and military academy life.

In October 2016 news of the sudden death of Munster rugby head coach Anthony 'Axel' Foley reverberated throughout the rugby world and beyond. This documentary tells a story of Munster rugby through his life. Told from within the Munster family, we get to know the man and get an extraordinary honest insight into the events surrounding Anthony's time as head coach, his death and the emotional aftermath.

In this documentary Kerkhof takes the viewer into a bizarre underworld, the sub-culture of blood art and body piercing performance art. Kerkhof's camera registered a performance by the American blood artist Ron Athey which took place during the FREAK ZONE festival in Lille, France in May 1997. The camerawork is so freaky one would almost suspect it is under the influence of heroin. The film includes interviews with Athey as well as shocking live fragments wherein Athey works his face over with injection needles. The crazy, maniacal clamour of the HIV positive priest/performer gives us insights into the motives and goals of this group of masochistic performance artists. Somebody who entertains his audience by cutting and stabbing himself; is this art? Who can say? What is beyond question is that Kerkhof's masterful use of the camera and editing not only obscures the images but also the boundary between art and unbearable filth.

Haka Nation

Le réveil des Eléphants