Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body.
Le Grand Combat du XV de France
In the line-up of great Australian realist films of the '70s, this short student film, nominally a documentary, is the most in-your-face and "gritty" realist film you will see. It's powerful and unforgettable. "It's a ground-breaker, venturing into the dark, slovenly lives of a couple of outsiders", said Nigel Buesst.
In October 2016 news of the sudden death of Munster rugby head coach Anthony 'Axel' Foley reverberated throughout the rugby world and beyond. This documentary tells a story of Munster rugby through his life. Told from within the Munster family, we get to know the man and get an extraordinary honest insight into the events surrounding Anthony's time as head coach, his death and the emotional aftermath.
Rugby Union has long been viewed in South Africa as a game for the white population, and the country’s success in the sport has been a true source of Afrikaner pride. When the 50-year-old policies and entrenched injustices of apartheid were finally overthrown in 1994, Nelson Mandela’s new government began rebuilding a nation badly in need of racial unity. So the world was watching when South Africa played host to the 1995 Rugby World Cup. Though they had only one non-white player, the South African Springboks gained supporters of all colors as they made an improbable run into the final match where they beat the heavily favored New Zealand team. When Mandela himself marched to the center of the pitch cloaked in a Springbok jersey and shook hands with the captain of the South African team, two nations became one. Oscar winner Morgan Freeman and director Cliff Bestall will tell the emotional story of that cornerstone moment and what it meant to South Africa’s healing process.
A beautifully crafted documentary that takes you behind the scenes of our 2017 calendar shoots in England. Shot on location in England in glorious color and full 4k definition, available as a download only. The Warwick Rowers are back for a 2017 video to support charity.
Australia's first national sudoku team The Numbats - four ex-rugby mates - travel into the unknown of competitive puzzling as they enter the World Sudoku Championships in Goa, India.
A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an ear, a mouth, a tongue, bits of hair, a hand, the tips of fingers, toes. Occasionally, the frame includes a larger scape of a body: a chest, a back, a breast. Usually the camera is stationery; sometimes, it moves across a body, remaining in close up. They hold hands for one moment. The bodies are without clothes; no genitalia are visible.
Luiz Roberto Galizia died very young, but he left behind a wealth of personal archives. 30 years later, his niece Ana Galizia plunges into these archives to follow the traces of this uncle she never met.
With great bawdiness and backbone, a rugby team made up of farmers strive to redeem themselves from a long run of bitter losses. In the face of the hefty demands of farming and fatherhood, the Saturday game becomes the focus of the men’s passions and the ground on which their worth is proved. ‘The Ground We Won’ is a highly authentic, slice of life film about the challenges and joys of manhood, as seen through the rites and rituals of a rural New Zealand rugby club.
During the 2013-2014 season, the U19 team of union rugby club of Auch are competing in the Crabos French championship. Teenager Antoine Dupont and his best friend Anthony Jelonch shared victories and defeats during this last season in their hometown, but also unavoidable village parties.
Finding community via his gay rugby league, Jamaican-born Desmond navigates life, love, and identity as an immigrant living in Munich, Germany.
A look beyond the shock and inhumanity of prison rape to the intricate social hierarchy that keeps it alive. A filmmaker goes deep inside Alabama's infamous Limestone penitentiary to uncover the long-term causes and consequences of prison rape. With a startling lack of inhibition, five inmates reveal the workings of an elaborate inner society.
Three women, three men, all very high level athletes, Olympic medalists, world champions in basketball, judo, rugby, fencing, swimming and figure skating have agreed to testify in a documentary. For the first time, they publicly reveal their homosexuality.
In this documentary Kerkhof takes the viewer into a bizarre underworld, the sub-culture of blood art and body piercing performance art. Kerkhof's camera registered a performance by the American blood artist Ron Athey which took place during the FREAK ZONE festival in Lille, France in May 1997. The camerawork is so freaky one would almost suspect it is under the influence of heroin. The film includes interviews with Athey as well as shocking live fragments wherein Athey works his face over with injection needles. The crazy, maniacal clamour of the HIV positive priest/performer gives us insights into the motives and goals of this group of masochistic performance artists. Somebody who entertains his audience by cutting and stabbing himself; is this art? Who can say? What is beyond question is that Kerkhof's masterful use of the camera and editing not only obscures the images but also the boundary between art and unbearable filth.
They're young, unemployed and on the march - from Glasgow, Liverpool and Swansea to London.
The campaign of the Uruguayan rugby team, nicknamed "Los Teros", during the 2015 Rugby World Cup qualification, and the amateur character of its players that contrasts against the professionalism of their group rivals.
Photographer Bruce Weber profiles boxer Andy Minsker, including his pro career and family relations, and the boys' boxing club Minsker runs.
A riveting journey into the minds of men whose contempt for homosexuals led them to murder. Attacked in 1977 by gay bashers on the streets of San Francisco, filmmaker Arthur Dong confronts murderers of gay men face-to-face in his film. He asks them directly: “Why did you do it?”
Before the summer of 2022, Ireland had never beaten the All Blacks in New Zealand. Using behind the scenes footage and interviews with players and coaches this documentary reflects on the experience of triumphing in New Zealand for the first time.