Media Mafia: a Tale of Two Newspapers

Memory is a ghost. Lucio, a printing press worker, takes one last walk around the machines with whom he shared everything. He remembers when his mechanisms used to move and through that mechanical movement he reflects about his own life.

Short documentary made by Federico Valle and produced by Visugraphic Pictures for Argentinian newspaper La Nacion.

This feature documentary is a profile of Canadian press tycoon Roy Thomson, whose single-minded attention to business brought him riches, power, and even a baronetcy in England. A native of Timmins, Ontario, Thomson had a tremendous career as publisher, television magnate, financier, and owner of many newspapers, including leading London dailies. The film is a frank study of an equally frank man.

A sex columnist gains popularity even while a ban on comprehensive sex education in schools is adopted by approximately a third of India’s states.

The Christians of North Gando lose their country and leave their hometown, but gain the Gospel. The cross they hold in their hands is the symbol of daring for independence and a royal summon of the generation they have to endure. Historian Sim Yo Han retraces the footsteps of the late Father Moon Dong Hwan and finds meanings of the anti-Japanese independence movement hidden in various parts of North Gando.

Explores the life and work of English journalist Robert Cox, the former editor of "The Buenos Aires Herald" daily newspaper, whose investigative reporting in the late 1970s exposed the shocking human rights crimes of Argentina's military dictators.

Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.

La Resistance

The story of how newspapers were distributed during the Blitz, stressing the importance of an accurate and objective press on the home front.

The Morning Sun Shines is a fiction-documentary film by Kenji Mizoguchi and Seiichi Ina. The film is a combination of a drama about a reporter, and documentary footage about newspaper production. Only 25 minutes of footage has survived.

The title of the film is the date on which the editorial staff of Hungary’s largest opposition newspaper, Népszabadság, was fired. The filmmaker tore up copies of that day’s issue, layered them, and then turned them into an urgent collage expressing his yearning for the free expression of opposition viewpoints. The visible edges of the film emphasize the impossibility of presenting information in a complete context.

In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.

A documentary film covering the life of President Syngman Rhee and the contributions he made to the Republic of Korea, spanning his childhood, focusing on his independence movement, the founding of the nation, the process of leading to victory in the Korean War, and the process of laying the foundation for Korea's industrialization.

Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity.

Documentary about the history of Jornal do Brasil, founded on April 14, 1891. In 1965, the Jornal do Brasil marked its innovative and active position, as recorded in the documentary "A Seventv-Four- Year-Old Fellow" by the filmmaker Nelson Pereira dos Santos, and the story itself was in charge of confirming. In the following years, the newspaper would witness the most remarkable events of the second half of the twentieth century in Brazil and in the world. It would applaud the democratic struggles and independence of peoples, support social demonstrations against oppression and justice at all levels. Tirelessly, he did not hesitate to report the truth of the facts, regardless of the circumstances in which they presented themselves.

After the Robb Elementary school shooting in Texas, local Uvalde Leader-News journalists are left to report on the fallout – and on one of their staff members. Reporter Kimberly Rubio rises to national prominence as an advocate for gun reform after her ten-year-old daughter, Lexi, is killed in the shooting. Through the journalists’ reporting, we witness the social fabric of this small Texas town unravel as Kimberly and other victims’ families search for accountability from law enforcement and local leaders. The documentary also shines a light on the critical role of community journalism, at a time when local newspapers are folding rapidly across the country.

On August 30th, 1974,a time bomb set by the "Wolf" brigade of the East Asia Anti-Japan Armed Front destroyed the Tokyo Headquarters of Mitsubishi Heavy Industries. "Fangs of the Earth" and "Scorpion" soon followed with more bombings. Unlike other leftist groups at the time that sought to seize the Japanese state to build socialism, the EAAJAF were explicitly opposed to the Japanese nation-state, understanding it as an imperialist power in East Asia and a junior partner to American imperialism. Over 50 years have passed since the Mitsubishi bombing; some EAAJAF members have passed, others are still incarcerated, and some have been recently released. In the intervening years, a group of friends and family members stepped forward to support their incarcerated loved ones, answering questions about how to provide long-term prisoner support for people incarcerated by the state and condemned by society.

Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.

During the Japanese colonial period, 22 Korean female workers were forced to work in a spinning mill in Osaka across the sea to support their families. Despite facing discrimination and violence, their testimonies and life-affirming songs of victory have endured.

This short documentary explores how the Ilustrada section of the Folha de S. Paulo newspaper had to fight back against censorship from the military dictatorship in Brazil after Lourenço Diaféria, one of its columnists, published an article criticising the patron of the Brazilian army, Duque de Caxias.