Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
David Lloyd George tours Germany, escorted by Nazi government officials, while his chauffeurs lark about with an SS Officer. Lloyd George was pro-German from the mid-1920s, and met Adolf Hitler in 1936. However, by 1938 he had become a leading opponent of appeasement with Germany. This film is believed to have been shot by George Ryder, Lloyd George's chauffeur.
Botanical gardens in Bombay plus the highly decorative Jain Temple in Calcutta.
A behind-the-scenes look at the creation of Walt Disney Animation Studios' MOANA, as aided by the Oceanic Story Trust.
The odyssey of a Tuamutu fisherman who sets out from his atoll-only coral island to procure fertile land in the "distant" archipelagos. Lost in the vast South Pacific, he finds the atoll from which he had departed now doomed from atomic experiments.
Pure tranquillity in rural Somerset, a world away from the war raging on the continent.
Whistlestop tour of Dartmouth in Devon, taking in the 17th century Butterwalk arcade and medieval castle.
The Work completes the "quadrilogy" of South Seas seen over a twenty-year period. This film, tells the choral story of an island that in the short time of a generation loses its identity.
Bruce Lee expert John Little tracks down the actual locations of some of Bruce Lee's most iconic action scenes. Many of these sites remain largely unchanged nearly half a century later. At monasteries, ice factories, and on urban streets, Little explores the real life settings of Lee's legendary career. This film builds on Little's earlier film, Pursuit of the Dragon, to present a comprehensive view of Lee's work that will change the way you see the films.
This Traveltalk series short visits Papua and Kalabahai.
"Kon-Tiki" was the name of a wooden raft used by six Scandinavian scientists, led by Thor Heyerdahl, to make a 101-day journey from South America to the Polynesian Islands. The purpose of the expedition was to prove Heyerdal's theory that the Polynesian Islands were populated from the east- specifically Peru- rather than from the west (Asia) as had been the theory for hundreds of years. Heyerdahl made a study of the winds and tides in the Pacific, and by simulating conditions as closely as possible to those he theorized the Peruvians encountered, set out on the voyage.
An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
Documentary about the photo session for the photobook "Castella", filmed in Portugal.
Robert J. Flaherty’s follow-up to Nanook of the North shifts from the Arctic to the South Seas, portraying Samoan village life with a painterly eye. Blending ethnographic detail with a romanticized “Gauguin idyll,” the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused with what Flaherty called “pride of beauty, pride of strength.”
This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.
James A. FitzPatrick takes a tour of the Fiji Islands. The short depicts the different types of natives that inhabit the islands, and shows villages that have not been changed in architecture for centuries. There are ceremonial dances, and FitzPatrick politically-correctly describes the rule of the islands under the British government.
A faux travelogue that mixes documentary and mockumentary footage. The camera looks through a one-way glass into the women's dressing room at a lingerie shop, visits a Kyoto massage parlor, goes inside the mailroom at Frederick's of Hollywood, watches an Australian who sticks nails through his skin and eats glass, checks out the art and peace scene in Los Angeles, takes in Easter week with vacationing college students on Balboa Island, observes a German audience enjoying a play about Nazi sadism, and, with the help of powerful military lenses, spies on a Lebanese white-slavery auction.
A “hidden camera” takes the viewer on a worldwide tour of sexual practices and rituals, including Tijuana strippers, Asian sex shows, British prostitutes, New York devil worshipers and a Mexican slave market.