Bez vecuma ierobežojuma

Hardly could anybody tell that 87 years old Lou has had Alzheimer’s disease. Over the years, Lou has forgotten almost everyone but firmly believes that 88 years old Feng is the one she is going to spend the rest of her life with.

François Delisle draws an intimate portrait of his mother in a nursing home. A chronicle of the daily life and medical care of a woman approaching the end, treated with love, respect and dignity.

When filmmaker Debra Chasnoff faces stage-4 cancer, she turns her lens on herself and the disease. What emerges is a portrait of her extended LGBTQ family —a story about hanging on while letting go.

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

Nai Nai follows the story of a Chinese immigrant grandmother, Chu-Ming Wu. Known as “Nai Nai,” Chu-Ming has always been a woman of control. But her grasp of reality and the control of her own mind is slipping away. Told through the lens of her grandson, the film focuses on the joyful, heartbreaking and intimate moments in the last chapters of her life.

"...a charming depiction of life as I knew it with my grandparents in my own village..." Clara Caleo Green, Cinema Italia UK "The sum of the individual fates and life choices paints a picture, the validity of which extends far beyond this village." Joachim Manzin, Black Box This documentary records the thoughtful and emotional confrontation with time, change, loss and hope related by the members of a small community in the idyllic Ligurian countryside who are dealing with a rapidly changing agricultural industry, transformed by globalisation and technological advances and an increasing number of foreigners buying the empty houses in their village. Forgoing the use of music and voice over, the film lets Aracà's inhabitants tell their own stories and allows the audience to dive into the rich soundscape of the ligurian alpine countryside.

Flora Schvartzman is a ninety year-old single woman who has wanted to die since the day she was born. Distanced from her family, she gets in touch with them to organize her own death. Iair, her great-nephew, is the first one to take an interest in her and her heirless apartment.

A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.

The film is not merely a record of rehearsals, but above all an intimate look at the relationships between its individual protagonists. Nor is it a classic documentary, because the line between acting, creation, and recording reality is too thin. The film thus reflects not only the aging of outstanding actors, but also their relationship to today's world and their disappointment with the current state of Czech film and theater. It speaks to their fears, desires, and efforts to give their best.

Claes is a pensioner whose greatest wish is to finally make it to the nearby cinema. What if it rains? What if his sweater doesn’t match the shirt he is wearing? It's probably better to stay in the safety of his own home and switch on the television. In the total isolation of his solitary life, and out of an entirely unfounded fear of stepping outside his flat, Claes has turned his tidy home into a prison. This is a film that demonstrates what loneliness can do to a person.

A dash of youth, a pinch of age, and an unrecorded recipe: Mudder's Hands is a charming documentary conversation about arthritis, centered around the tradition of baking Newfoundland raisin bread.

Swingtij (Blue Notes & Higher Grounds)

What’s it like to age with early-phase vascular dementia? And how about your loved ones? Successful author Heleen van Royen has taken on caring for her elderly mother and films their frequent meetings. Increasingly, Mrs Breed’s life consists of confusion and unbearable stabbing pains that she tames with a mantra. She regularly refuses help, good advice and a Zimmer frame, although she is also thankful for her committed daughter’s support.

Director Mark Wexler embarks on a worldwide trek to investigate just what it means to grow old and what it could mean to really live forever. But whose advice should he take? Does 94-year-old exercise guru Jack LaLanne have all the answers, or does Buster, a 101-year-old chain-smoking, beer-drinking marathoner? What about futurist Ray Kurzweil, a laughter yoga expert, or an elder porn star? Wexler explores the viewpoints of delightfully unusual characters alongside those of health, fitness and life-extension experts in this engaging new documentary, which challenges our notions of youth and aging with comic poignancy. Begun as a study in life-extension, How To Live Forever evolves into a thought-provoking examination of what truly gives life meaning.

Documentary about old age.

Through handmade outfits and dancing, Coby, a 93 year old retired Chinatown nightclub performer, and Stephen, an artist twenty years her junior, find unlikely love, despite dissimilarities in culture and age. As their last performance in Las Vegas approaches, Coby and Stephen prepare a final routine.

This film is focused on elderly women spending their last years of life in a nursing home in Krakow. The discreet heroine of the film is an elderly lady whose check-in is recorded by the camera. Thanks to this, we gain access to intimate situations, for example a sudden acceleration of the heartbeat in the middle of the night. The camera follows the women around the clock, starting from their morning prayer.

A lighthouse keeper prepares his earthly funeral while trying to reconnect with his inner elf. Hulda and Trausti have shared a roof on the Icelandic coast for over seventy years. Her love of books is matched by his love of stones. When he tells her he wants to change his name to Elf she warns him that the family will reject him. Now, as his one hundredth birthday nears and Trausti senses the hand of death upon him, he is searching for an elf’s coffin…

At Baycrest, an old-age home in Toronto, we follow a social worker as she talks to residents, particularly Max, Claire, Ida, and Rachel. The film opens on Claire's birthday, she's 89; Max, a tiny cheerful man, is her close friend. Rachel is lonesome, missing her son, complaining he rarely visits. Ida relies on memory for her solace. Helen has no memory and doesn't recognize her daughter; her moods swing. Murray keeps his cap on and likes women. Staff members bring medication, provide care, and offer small talk. Memory is fleeting: Claire re-experiences the death of a close companion several times, each time without remembering her previous grieving. Lives are circumscribed

On the outside, it looks like any ordinary seniors' facility. But on the inside, a series of remarkable, late-in-life love stories of three different couples is unfolding.