Once again, director Shunichi Kajima and star Takanori Jinnai are teaming up to create a new type of yakuza film that stylishly depicts the short but vibrant life of legendary urban yakuza Takashi Hanagata.
A former yakuza returns to gangster life after an old enemy threatens his son.
The head of the Tatsumi family falls ill and dies after requesting that his son, who disappeared 15 years ago, takes over. The Tatsumi family, including the young head Ryu, decides to search for his son's whereabouts in order to keep his will. They finally find his son and learn he is now a woman. Meanwhile, the hostile Honjoukai are plotting to steal the Tatsumi family's territory.
Historical Yakuza gangster film set the early years of the Showa era.
Yakuza Kojima appeared in Yokkaichi in search of her mother who died when she was young. There he met Torajiro, a master of kendo, who had just left prison after slashing his adoptive father who stole his son's wife. Torajiro was on his way to his brother-in-law, Iwai. While talking about themselves, they someday felt something similar to friendship.
A young samurai defends townsfolk from evil forces.
Action drama about a Japanese gangster in Manchuria circa 1932, who finally joins some Chinese mountain bandits.
There is a man, who always win a mahjong game... His name is Ryu the Caller.
Port City Blues
In an alternate Japan, territorial street gangs form opposing factions collectively known as the Tokyo Tribes. The simmering tension between them is about to boil over into all-out war.
Shimazu Clan's third-generation boss, Tetsuo Sakuragi (Yasukaze Motomiya), and his sworn brother, Kenichi Kanamori (Yoshiyuki Yamaguchi), are set to be released from prison. Although Sakuragi plans to personally welcome his brother's return, Eitoshi Kaji (Hitoshi Ozawa) advises against it. Sakuragi dismisses Kaji's concerns, but Kaji reaches out to Tomomatsu Miwa (Naoki Hongo) of the Miwa Clan for support in convincing Sakuragi. On the day of Kanamori's release, it is Kaji, not Sakuragi, who comes to greet him. Witnessing this, Kanamori’s reaction is…
Overcoming many obstacles, Haruto and Aoyama have finally become an item. They affirm their love for each other and agree to leave for faraway lands, but the following morning Aoyama disappears. Where could he have gone!? Before long, Shibahara, a man who claims to know all about Aoyama's situation, appears before Haruto. What secrets has Aoyama been hiding? Haruto returns to the male escort club and meets fellow castrated escort Ruka. In an industry full of temptations, will Haruto be caught up in the danger zone yet again? With the appearance of new characters, what impact do they hold for Haruto and Aoyama’s relationship?
A sequel to Detective Bureau 2-3: Go To Hell Bastards!
Five years after the all-out war between the Sanno and Hanabishi crime families, former yakuza boss Otomo works in South Korea for Mr. Chang, a noted fixer. When tensions rise between Chang and the Hanabishi, and Chang's life is endangered, Otomo returns to Japan to settle things once and for all.
At the end of the Greater East Asia War, young Amada Koichi and his father were wrongfully accused as spy suspects and his father died in prison after being tortured. Ten years later, Amada seeks for revenge on the three men responsible for his father death.
After Shogo Ogami’s death in Hiroshima, Detective Shuichi Hioka successfully implemented Shogo Ogami’s plan, which was to control the yakuza to prevent further gang wars and save innocent people from getting harmed. Shuichi Hioka manages the criminal organizations, but, due to one evil person who gets released from prison, the situation drastically changes.
A detective and his partner track down a call girl with information about a drug cartel. After taking her into custody, they are attacked by cartel members. The detective and the woman manage to escape, but they are soon hounded by a professional hitman hired to eliminate them and recover the heroin stolen by the woman.
This is the sixth film in the Brutal Tales of Chivalry series
The ninth and final film in the Contemporary Tales of Chivalry series.
Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR