Akong Pinalangga

A young entrepreneur meets a group of coffee farmers and finds the inspiration to continue despite the pandemic.

A Manobo tribe flees from fear only to find themselves in another dreadful situation: a lockdown due to the pandemic.

In times of necessary physical distancing, ten couples from the filmmaker’s hometown allow the cameras into their homes not to disturb but capture any delicate exchange.

Filming in a Time of Uncertainty is a short documentary film that follows a small team of filmmakers, who are based in the region in Mindanao, as they struggle to shoot a film amidst the trying times of the pandemic. And how they were able to comply with the community's minimum health guidelines, while observing the basic health care, in spite of the intricacies of the film industry’s standard health protocols.

As the global pandemic affects more than half the world, the Family Chan tries to cope with the seemingly permanent quarantine and the claustrophobic circumstance of being together.

A woman with falling hair, anxious about her online work, a child unable to leave her room in a power outage, and a yoga buff with body issues, all encounter an unseen terror while alone in their urban middle-class homes during the nationwide quarantine.

In a period beset by a plague, the visionary’s portal to his soul has been thwarted by the four corners of his abode. With imagination as the only detour, the drifting of thoughts is inevitable. Amidst the overcast, the curtain opens to the apparent truth – truth that no frame can impede a visionary.

In transit, Carlo reminisces the blissful memories of his beloved mother, Joy, who died a few months ago while the country was in lockdown facing a worldwide pandemic. As he returns to his hometown Pampanga to reunite with his family, he will be facing a first birthday without his mother.

A filmmaker’s reflection about his life during the pandemic, as "the flames are climbing up the wall."

It’s December 2020, more than nine months of community quarantine in the Philippines. The idea of nothingness is actual and symbolic. With imposed restrictions in the physical world, how can we tell our personal and collective stories of living under the “longest COVID-19 lockdown in the world”? Confined at home, physical and non-physical boundaries are magnified as the filmmaker attempts to articulate existence through floating in time and space.

The amazing adventures of Gunam-gunam (Rumi) and Guni-guni (Phantasm). Adapted from the book Auxiliary Materials for Teaching the Filipino Language by Kelly Sta. Ana Nicolas (Philippine Normal College, 1964).

An exploration of how we use the masks as our new faces in these trying times. It shows a perspective of what life is like during the pandemic through poetry, metaphor, movements, and the use of painted masks.

The night before the lockdown, while reviewing some unused footages from my latest film project (Hinulid), a small box from an anonymous sender arrives. The box contains a Bikol translation of the Tagalog long poem, Ibong Adarna, and an egg.

Invisible Water Layers discusses and questions the origins of Teresina and its urbanization over the years. The film deals with the move from the capital of Piauí to Oeiras in 1852, the ideas of modernity at the time and the problems that resulted from this process in people and in the city. Along with the idea of ​​progress of the railway, factories and steamboats, many families and workers were relocated from the central areas of the city to more distant parts. The traditional ways of life of these people coexisted, not free from conflict, with the will of civility of the local elites. With 4 interviewees, including architects, historians and researchers, the film also brings a rich set of images from different places in the city, such as the Center, the Parnaíba riverbank and the Poty Velho neighborhood.

Since discovering cancer, Omar has lived with pain, the imminence of death, uncertainty about the future and the suffering of his family. The documentary is a punch in the stomach, a plea for help and a breath of hope for those who battle the disease.

Recognized in Rio Grande do Sul (RS) for his career in theatre, Flávio Dornelles built and consolidated his artistic career in Pelotas since the early 1980s, a period in which he began his work as an actor on the local stages, later going on to perform as actor in several cities of RS and in many states of Brazil.

Making movies is the opposite of isolating yourself. NOTHING I WANTED TO SAY is a feature film shot indoors during the confinement of the 2020 pandemic. While they are involved in making a film about isolation, two brothers, 21 and 19, exercise their gaze towards what is near. Four months confined in a 60 m2 apartment, where they share the loneliness, anticipation and anguish of this strange time. A reflection on isolation during the Covid-19 quarantine and on reconnecting with one's inner self.

The Documentary presents the tragedy in Brumadinho, as a result of the collapse of the bean dam at Mineradora Vale, which resulted in one of the biggest catastrophes with mining tailings in Brazil.

When a person disappears, everything remains in its place. The film shows the life of my grandfather, Herbert Hurrle, through the things he accumulated in life. The memories with which these things are filled come to life.

Their documentary is the result of an ethnographic audiovisual research. How to research the theme woman and all the themes that surround it, respecting the place of speech of each one? Based on an interview with eighteen women cultural makers from the interior of São Paulo, we open the way to listening and dialogue on macro-themes permeated by their trajectories. The stories are theirs, but they're ours. Expand the debate about being a woman, about feminism and about our pains and delights, about our contradictions and dreams. The documentary is then a research, an open process of listening, reinterpreting and giving voice to them.