A young entrepreneur meets a group of coffee farmers and finds the inspiration to continue despite the pandemic.
A woman with falling hair, anxious about her online work, a child unable to leave her room in a power outage, and a yoga buff with body issues, all encounter an unseen terror while alone in their urban middle-class homes during the nationwide quarantine.
A Manobo tribe flees from fear only to find themselves in another dreadful situation: a lockdown due to the pandemic.
In transit, Carlo reminisces the blissful memories of his beloved mother, Joy, who died a few months ago while the country was in lockdown facing a worldwide pandemic. As he returns to his hometown Pampanga to reunite with his family, he will be facing a first birthday without his mother.
In times of necessary physical distancing, ten couples from the filmmaker’s hometown allow the cameras into their homes not to disturb but capture any delicate exchange.
A tribute to the people that we fear to lose, and for the ones that we have lost. It is a story about the fear that we have to face as the new normal.
The amazing adventures of Gunam-gunam (Rumi) and Guni-guni (Phantasm). Adapted from the book Auxiliary Materials for Teaching the Filipino Language by Kelly Sta. Ana Nicolas (Philippine Normal College, 1964).
It’s December 2020, more than nine months of community quarantine in the Philippines. The idea of nothingness is actual and symbolic. With imposed restrictions in the physical world, how can we tell our personal and collective stories of living under the “longest COVID-19 lockdown in the world”? Confined at home, physical and non-physical boundaries are magnified as the filmmaker attempts to articulate existence through floating in time and space.
In a period beset by a plague, the visionary’s portal to his soul has been thwarted by the four corners of his abode. With imagination as the only detour, the drifting of thoughts is inevitable. Amidst the overcast, the curtain opens to the apparent truth – truth that no frame can impede a visionary.
Filming in a Time of Uncertainty is a short documentary film that follows a small team of filmmakers, who are based in the region in Mindanao, as they struggle to shoot a film amidst the trying times of the pandemic. And how they were able to comply with the community's minimum health guidelines, while observing the basic health care, in spite of the intricacies of the film industry’s standard health protocols.
As the global pandemic affects more than half the world, the Family Chan tries to cope with the seemingly permanent quarantine and the claustrophobic circumstance of being together.
The night before the lockdown, while reviewing some unused footages from my latest film project (Hinulid), a small box from an anonymous sender arrives. The box contains a Bikol translation of the Tagalog long poem, Ibong Adarna, and an egg.
A filmmaker’s reflection about his life during the pandemic, as "the flames are climbing up the wall."
A coming-of-age story about the formative sexual experiences of a young man who has an unusual pastime – staking out a known gay beat and watching men hook up. His ritual is disrupted one day when the boy he fancies turns up looking for casual sex with a stranger. When this encounter goes awry, he finds himself up close and personal with his infatuation and discovers the gap between sex as it exists in his imagination and reality.
Set in a small Nagano village in the 1930s, the film follows Hanji, a young boy captivated by a local kabuki performance. Inspired by Yukio, Hanji learns kabuki with Utako. As they grow, they become skilled actors, performing in a final kabuki before World War II. After the war, Hanji returns to revive kabuki and restore the community’s spirit. In the 1980s, as he nears death, the villagers organise a final performance in his honour, where he performs “Tenryu Koishibuki” for Yukio.
Dr Viktoria Wex arrives in a town in Masuria. She is about to say goodbye to the uncle who raised her as a surrogate father. The letter she received suggests that he has decided to take his own life.
Eight-year-old Kirill has big problems: he struggles at school, his parents are boring, and he has nowhere to put his lame stray dog. In short, he is at odds with the whole world. Then he meets journalist Vadim, who is easy to get along with and interesting. Vadim's interest is genuine — after all, Kirill is named after his deceased friend.
About the first Komsomol members.