A tribute to the people that we fear to lose, and for the ones that we have lost. It is a story about the fear that we have to face as the new normal.
The amazing adventures of Gunam-gunam (Rumi) and Guni-guni (Phantasm). Adapted from the book Auxiliary Materials for Teaching the Filipino Language by Kelly Sta. Ana Nicolas (Philippine Normal College, 1964).
A young entrepreneur meets a group of coffee farmers and finds the inspiration to continue despite the pandemic.
A Manobo tribe flees from fear only to find themselves in another dreadful situation: a lockdown due to the pandemic.
In transit, Carlo reminisces the blissful memories of his beloved mother, Joy, who died a few months ago while the country was in lockdown facing a worldwide pandemic. As he returns to his hometown Pampanga to reunite with his family, he will be facing a first birthday without his mother.
A woman with falling hair, anxious about her online work, a child unable to leave her room in a power outage, and a yoga buff with body issues, all encounter an unseen terror while alone in their urban middle-class homes during the nationwide quarantine.
Filming in a Time of Uncertainty is a short documentary film that follows a small team of filmmakers, who are based in the region in Mindanao, as they struggle to shoot a film amidst the trying times of the pandemic. And how they were able to comply with the community's minimum health guidelines, while observing the basic health care, in spite of the intricacies of the film industry’s standard health protocols.
In times of necessary physical distancing, ten couples from the filmmaker’s hometown allow the cameras into their homes not to disturb but capture any delicate exchange.
It’s December 2020, more than nine months of community quarantine in the Philippines. The idea of nothingness is actual and symbolic. With imposed restrictions in the physical world, how can we tell our personal and collective stories of living under the “longest COVID-19 lockdown in the world”? Confined at home, physical and non-physical boundaries are magnified as the filmmaker attempts to articulate existence through floating in time and space.
In a period beset by a plague, the visionary’s portal to his soul has been thwarted by the four corners of his abode. With imagination as the only detour, the drifting of thoughts is inevitable. Amidst the overcast, the curtain opens to the apparent truth – truth that no frame can impede a visionary.
A filmmaker’s reflection about his life during the pandemic, as "the flames are climbing up the wall."
As the global pandemic affects more than half the world, the Family Chan tries to cope with the seemingly permanent quarantine and the claustrophobic circumstance of being together.
The night before the lockdown, while reviewing some unused footages from my latest film project (Hinulid), a small box from an anonymous sender arrives. The box contains a Bikol translation of the Tagalog long poem, Ibong Adarna, and an egg.
The story of the legendary battle through the eyes of Jedrek - a boy who went through the hell of the gulag and left Russia with the Polish Army as one of thousands of polish orphans. Soon a decisive attack on a monastery located on the hills of Monte Cassino is to take place at the front - this spectacular battle will decide the lives of many soldiers and the fate of the Allied offensive in Italy, and will change Jedrek's life forever.
Denton, an anthropologist of note, meets by accident a new neighbor, an attractive girl, whose father insists upon her marriage to a man whom he favors because of his wealth. Denton and the girl are mutually attracted and to Denton comes a vague but haunting belief that they have met before. Worn out by overstudy, he becomes seriously ill with rain fever and the mind pictures he has of his fair neighbor fade into a vision of a prehistoric existence, where he wanders as a stone age savage, meets and loves the girl of his heart, who also lives in that strange world. There also is the conflict between wealth and poverty, the father's choice opposed to the daughter's. The prehistoric Denton finally wins out after struggling with a savage rival and wild beasts as well. Just so the modern Denton finally conquers over his modem rival.
Mr. Burns, a student of Theosophy, has a dream in the hammock. He sees himself, his wife and her admirer, in a previous existence.
An old ill man, the young woman who looks after him and his unemployed middle-aged daughter, are tasked with taking God's place, who appears to be absent.
Alina is twenty-five, comes from Ukraine and works as a prostitute on the outskirts of Rome. Jani, the guy who brings her onto the street everyday, can't keep his eyes off her. He believes the child she is carrying is his. This almost illusory certainty drives him to look for a way out from the cage that encloses them.