The New Faces of Dreams and Mysteries

A filmmaker’s reflection about his life during the pandemic, as "the flames are climbing up the wall."

A tribute to the people that we fear to lose, and for the ones that we have lost. It is a story about the fear that we have to face as the new normal.

A woman with falling hair, anxious about her online work, a child unable to leave her room in a power outage, and a yoga buff with body issues, all encounter an unseen terror while alone in their urban middle-class homes during the nationwide quarantine.

The amazing adventures of Gunam-gunam (Rumi) and Guni-guni (Phantasm). Adapted from the book Auxiliary Materials for Teaching the Filipino Language by Kelly Sta. Ana Nicolas (Philippine Normal College, 1964).

In a period beset by a plague, the visionary’s portal to his soul has been thwarted by the four corners of his abode. With imagination as the only detour, the drifting of thoughts is inevitable. Amidst the overcast, the curtain opens to the apparent truth – truth that no frame can impede a visionary.

In times of necessary physical distancing, ten couples from the filmmaker’s hometown allow the cameras into their homes not to disturb but capture any delicate exchange.

In transit, Carlo reminisces the blissful memories of his beloved mother, Joy, who died a few months ago while the country was in lockdown facing a worldwide pandemic. As he returns to his hometown Pampanga to reunite with his family, he will be facing a first birthday without his mother.

A Manobo tribe flees from fear only to find themselves in another dreadful situation: a lockdown due to the pandemic.

It’s December 2020, more than nine months of community quarantine in the Philippines. The idea of nothingness is actual and symbolic. With imposed restrictions in the physical world, how can we tell our personal and collective stories of living under the “longest COVID-19 lockdown in the world”? Confined at home, physical and non-physical boundaries are magnified as the filmmaker attempts to articulate existence through floating in time and space.

A young entrepreneur meets a group of coffee farmers and finds the inspiration to continue despite the pandemic.

As the global pandemic affects more than half the world, the Family Chan tries to cope with the seemingly permanent quarantine and the claustrophobic circumstance of being together.

Filming in a Time of Uncertainty is a short documentary film that follows a small team of filmmakers, who are based in the region in Mindanao, as they struggle to shoot a film amidst the trying times of the pandemic. And how they were able to comply with the community's minimum health guidelines, while observing the basic health care, in spite of the intricacies of the film industry’s standard health protocols.

The night before the lockdown, while reviewing some unused footages from my latest film project (Hinulid), a small box from an anonymous sender arrives. The box contains a Bikol translation of the Tagalog long poem, Ibong Adarna, and an egg.

Sherin is pursuing a journey through the lives of many children who went through brutal abuses in past. She meets with many stories for her documentary including the story of Naseema and Anna which makes U-Turn to Sherin's past.

Early 1960s realist drama following a day in the lives of two London flatmates. Sylvia Syms and June Ritchie star as Billa and Ginnie, two singletons sharing a London flat who both work as night club hostesses in the same Soho club. Tensions arise when Ginnie becomes romantically entangled with rich married businessman Bob Shelbourne (Edward Judd), causing Billa to become jealous of their relationship.

The slimy underbelly of psychiatry is revealed in this nasty exploitation drama that centers on a female psychiatrist who talks about her tawdriest cases, examples of which, including incest, masochism, impotency and prostitution, are illustrated. When not talking, the doctor and her daughter get involved in a few wild adventures of their own including an orgy and a campus riot.

Josephine and Iris, sisters with opposite personalities, have their relationship radically transformed while working on a book.

Ane is in her mid-forties and delighted when a stunning bouquet of flowers is delivered to her home. But the site manager has no idea who to thank – one thing is for sure; her jealous husband, Ander, is not the unknown cavalier. As these gallantries increase, always on a Thursday and always with an anonymous sender, Ane’s life takes on a new direction. The life of Lourdes is also sent into turmoil by beautiful bouquets of flowers: Since the death of her husband in a traffic accident, flowers have been deposited regularly at the scene. Lourdes’ mother-in-law, Tere, is determined to get to the bottom of the anonymous flowers. Jon Garaño and José Mari Goenaga’s feature film debut pays charming homage to three headstrong women and the power of flowers.

The film portrays one day in an home for adolescent care on the Swedish countryside, where the faith of seven girls have been drawn together.

Sam Connor kidnaps his young daughters, April and May, sells them to strangers, and accidentally kills his wife when she attempts to intervene. Sixteen years later, April is an out of control outlaw who has come into a life of drugs and crime, while May has grown into a straight laced, refined woman. The plot thickens when April avenges her mother's death by killing her father, and May is sent to jail as the prime suspect. Fortunately, Detective Arman, instantly taken with May, fights for her innocence and tries to get her out before she is taken down by other hostile prisoners.