Maman Marie Thérèse : retour à l'essentiel

A man performs the same ritual every day: he cleans his shoes, dresses up in his shiny blue suit, wears his white gloves and grey hat, and spends his time walking around Brazzaville. His presence generates an absurd apparition in the urban chaos of the city, which reflects the imaginary produced by one of the upmost icons of pop culture.

The modern history of the Congo, the heart of Africa, is a terrifying tale of appalling brutality: how the greedy and incredibly ruthless King Leopold II of Belgium (1935-1909) turned a vast country into his private estate (1885-1908) and how he plundered the land and raped the bodies and souls of its defenceless inhabitants, causing countless victims; and what exactly is the true impact of this often forgotten story of crime and horror today.

Report retracing the military campaigns of the Belgian colonial troops in Africa through geographical maps, title cards, and documentary footage.

Kimbangu – Un sauveur noir

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.

Le dernier poumon du monde

An investigation of the emotional and economic value of Africa's most lucrative export: filmed poverty. Deep in the interiors of the Congo, Dutch artist Renzo Martens single-handedly undertakes an epic journey and launches an emancipatory program that helps the poor become aware of what is their primary capital resource: Poverty. After three years of traveling through the Democratic Republic of the Congo he asks the question: "Who owns poverty?

As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.

In the east of the Democratic Republic of the Congo, rape has been used as a weapon of war for more than 15 years. Martha writes a teenage girl’s guide to surviving sex slavery.

35 Cows and a Kalashnikov is a joyously made triptych about warrior-farmers, colorful dandies and voodoo wrestlers in Ethiopia, Brazzaville and Kinshasa. It paints a loving and attentive portrait of African pride and beauty.

A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

Since the late 1990s, more people have died in war-torn Congo than in any conflict since World War II. In addition to the dead, hundreds of thousands of woman and girls have been raped. Rape, explains a British colonel, is a weapon of war, part of a destabilization covering the theft of valuable minerals. Rape victims are traumatized, injured, abandoned by husbands, pregnant, and ravaged by disease.

Innerer Kongo

The critically important work by renowned naturalist Claudine Andre to save the endangered bonobo apes of the Congo is presented in this visually stunning feature film.

Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)

In 2007, scientists from the Wildlife Conservation Society discovered there were an estimated 125,000 western lowland gorillas living in the remote forests of northern Congo. This find offers another chance to protect this endangered great ape and a first look at some unprecedented behaviour – including a knack for using tools. Now primatologist and National Geographic explorer Mireya Mayor ventures into the heart of the jungle to explore the great apes’ secret world. She gets a rare and intimate look into the family life of one gorilla group and witnesses individuals performing feats unexpected in the wild. Spectacularly photographed and featuring new scientific insight, Mystery Gorilla presents startlingly familiar animals like you’ve never seen them before.

John Bishop encounters one of the most endangered animals on Earth, and discovers they and his family have more in common than he ever imagined. Filming in the jungles of Rwanda for John Bishop’s Gorilla Adventure, the comedian realises adolescent male mountain gorillas are just like his teenage sons – bulging muscles but no sense. Plus they fart, flirt and pick their noses. We follow John as he joins a group of vets who have dedicated their lives to saving the, sadly, precious few mountain gorillas left in the wild rugged mountains and valleys between the borders of Rwanda, Congo and Uganda, which were made famous to UK viewers by David Attenborough’s iconic sequence filmed among them in the 1970s.

L'Hypothèse du Mokélé M'Bembé

Wherever war breaks out, men with guns rape. During the decades of conflict in the Democratic Republic of Congo possibly hundreds of thousands of women and girls were brutally raped. In WEAPON OF WAR military perpetrators unveil what lies behind this brutal behavior and the strategies of rape as a war crime. An ex-rebel explains how he raped. Like for many ex-soldiers, starting a normal life again is a struggle filled with trauma. In an attempt to reconcile with his past, he decides to meets one of his victims in an attempt to obtain forgiveness. Captain Basima is working as a priest in Congo's army and confronts perpetrators of rape. He urges them to change. Just like he did.

Lao Yang is head of logistics of the group. He is responsible for the equipment, building materials and food (mainly chickens) to arrive in the isolated Chinese prefab camp. The Congolese government was supposed to deliver these things but so far the team hasn't received anything. With Eddy (a Congolese man who speaks Mandarin fluently) as an intermediate, Lao Yang is forced to leave the camp and deal with local Congolese entrepreneurs, because without the construction materials the road works will cease. What follows is an endless, harsh, but absurdly funny roller coaster of negotiations and misunderstandings, as Lao Yang learns about the Congolese way of making deals.