Kenya’s Symphony

Solo Trans is a concert film by Neil Young, released in 1984. It was recorded at the Hara Arena in Dayton, Ohio on September 18, 1983 during Young's Solo Trans tour.

"1) Doctor Doctor (UFO song) [00:00] 2) Rising Mercury [03:52] 3) Moonchild [04:55] 4) Can I Play with Madness [10:47] 5) The Prisoner [14:25] 6) 2 Minutes to Midnight [20:45] 7) Revelations [27:57:00] 8) The Trooper [34:30:00] 9) The Number of the Beast [38:37:00] 10) Phantom of the Opera [44:03:00] 11) Run to the Hills [51:40:00] 12) Wasted Years [55:47:00] 13) Seventh Son of a Seventh Son [61:20:00] 14) Wrathchild [73:45:00] 15) Fear of the Dark [76:50:00] 16) Iron Maiden [84:24:00] 17) Aces High [91:17:00] 18) The Evil That Men Do (preceded by Happy Birthday to Nicko McBrain) [98:25:00] 19) Sanctuary [102:55:00]"

Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in -- Portland, New York City, Los Angeles -- Heaven Adores You presents a visual journey and an earnest review of the singer's prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians.

The Ecstasy of Gold / Battery / Master of Puppets / Welcome Home (Sanitarium) / Ride the Lightning / The Unforgiven / Creeping Death / Lords of Summer / Sad but True / Fade to Black / Fuel / One / For Whom the Bell Tolls / Whiskey in the Jar / Nothing Else Matters / Enter Sandman / St. Anger / ...And Justice for All / Seek & Destroy

The two pigs building houses of hay and sticks scoff at their brother, building the brick house. But when the wolf comes around and blows their houses down (after trickery like dressing as a foundling sheep fails), they run to their brother's house. And throughout, they sing the classic song, "Who's Afraid of the Big Bad Wolf?".

Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.

Undisputed masters of black metal Cradle of Filth bring their extreme vision to the screen on this home-video release. Cradle of Filth: PanDaemonAeon features the group's first music video, for the song "From the Cradle to Enslave" presented in its original uncut version as well as a documentary on the making of the clip and the chaos that is Cradle of Filth's existence.

An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Michael Patrick Kelly - iD Live 2018

Concert film of The Police during the 2007-08 reunion tour. Recorded in concert in Buenos Aires at the beginning of December 2007, it’s released on the band’s original label, A&M, via Universal. Recording the Argentinian leg of the band’s momentous reunion tour, the album captures the three piece in concert, crammed with every hit from ‘Message in a Bottle’, ‘Walking on the Moon’, ‘Don't Stand So Close to Me’, ‘Every Little Thing She Does Is Magic’, ‘Wrapped Around Your Finger’, ‘Can't Stand Losing You’, ‘Roxanne’ and ‘Every Breath You Take’, closing with the punk urgency of the first track from their 1978 debut, ‘Next to You’.

Junyer Bear has a number of surprises for Good Ol' Pa on Good Ol' Father's Day, whether he wants them or not.

Sylvester Cat spots Tweety Bird in a display window of an after-hours department store and sneaks inside through a mail server chute. Tweety flees Sylvester by hiding in a hat pile and a doll house, evades the shots from a rifle Sylvester uses, and escapes in a vacuum tube. Tweety sends a dynamite stick through another tube, and Sylvester swallows it, thinking it is Tweety. The dynamite blows up inside Sylvester after the cat leaves the store and walks down the street.

Elmer Fudd introduces two pieces of classical music: "Tales of the Vienna Woods" and "The Blue Danube", and acted out by Bugs Bunny, Porky Pig, Laramore the Hound Dog, a family of swans, and a juvenile Daffy Duck.

Composed of unpublished versions of the band's repertoire, Sol Posto integrates three performances recorded live and exclusively for the film. The performances take place at three different times of the day: twilight, night and dawn. As in recent daily life, the film faces the idea of a period of reflection instead of action, and suspension instead of completion. The hours of Sol Posto are the stage of rest, seclusion, dreams and plans, darkness, waiting and the unknown. If, on the one hand, it wants to evoke the most credible aspects of a concert experience, it also becomes an opportunity to break the physical barrier of the traditional stage/audience, bringing the spectacle closer to the spectator, bringing it into the stage and placing it at a distance of complicity with the musicians. The sound and image were recorded live, during a week in September 2020, in Melides.

An inspiring documentary chronicling the rise, fall and resurrection of '80s metal band Quiet Riot. The career of Frankie Banali, the band's drummer, reached a serious crossroads when his best friend and bandmate died in 2007. Years later, Banali realizes he must forge ahead and make a new life for himself and his daughter and he goes on a quest to reunite the band and fill the immense void left by his bandmate.

Polar bear Norm and his three Arctic lemming buddies are forced out into the world once their icy home begins melting and breaking apart. Landing in New York, Norm begins life anew as a performing corporate mascot, only to discover that his new employers are directly responsible for the destruction of his polar home.

10/24/1973 Capitol Records Rehearsal Session, Capitol Record Tower, Los Angeles, CA SET: You can't blame the Youth. Slave Driver, Burnin' and Lootin', Rastaman Chant, Duppy Conqueror, Midnight Raver, Put it on, Stop that Train, Kinky Reggae, Stir it up, No more trouble, Get up stand up