Les Trois Cousins

Pas De Blanc À La Une, by Youcef Bouchouchi, treatises the brutality of the conflict during the war of independence in Algeria from 1854 to 1962, and the systematic use of torture which pushes even the most hesitant to make up their minds.

A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.

Georges Lajoie is a Parisian café owner. As every summer, Georges, his wife Ginette and grown-up son Léon go on holiday to Loulou's campsite, where they meet up with the Schumacher family (whose father is a bailiff) and the Colin family (who sells bras in the markets). This year, their peace is slightly disturbed by the proximity of a construction site where foreign workers are employed. Xenophobic comments are made. One evening at the ball, a fight breaks out between Lajoie, Albert Schumacher and two algerian immigrant workers...

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.

In 1971, the Algerian government nationalized hydrocarbons. The consequences of this decision on the community of Algerians in France are numerous. The Galti family is prey to these economic problems. The father, Khaled, former member of the F.L.N. in France, does not escape the sentence. Sharazade, his wife and comrade in combat, finds herself torn between her role as wife, mother and nostalgia for a country and a bygone past. As for his son Karim, a victim of socio-cultural division, all he has left is refusal.

The story of four young people, ShinAe Ahn who is transgender, and three others, pan-sexual, gay, and lesbian respectively, who are fed up with the oppressive and authoritarian conservative government and its influence on the country. ShinAe Ahn decides to run for the office of prime minister, with the help of her friends and supporters. She meets a lot of caring people, and also a lot of haters. The current Prime Minister is not at all tolerant of the LGBTQIA+ community and is trying his hardest to stop any party that does not follow the orders of the conservative government from running without any logical reason to do so. That creates a political divide within the country, as politicians will attack anyone who is and/or who acts differently, or who stands up for people/themselves who they personally don't like. This story however is being told after the fact, a few years after the election, when ShinAe won as prime minister.

Expecting their first child, a married couple struggles to find romance and connection while building a new life together in America.

In a working-class immigrant neighborhood slated for demolition, Jo, the son of Ali, known as the Rescuer from the Algerian war, lives idle and delinquent, committing small assaults to pay for his drugs. One day, while attacking Slim's bar, he is arrested by Ben, a young beur cop torn between his roots and the imperatives of his mission to maintain public order. Giving in to the respect and friendship he feels for Ali, Ben agrees to release his son. But alas, far from calming down, Jo drifts deeper into violence, until the inevitable drama.

In 1970, Tahar, a young Tunisian, travels to France for the first time to help his older brother, who is wrongly accused of murder and incarcerated in Paris. He first stops in Marseille, where he meets Tunisians very different from those familiar to him; enigmatic French people; and a strange atmosphere that makes him doubt his brother’s innocence, his own innocence and his own mental integrity.

An old North African man, sitting in an Algerian bar, remembers his life spent in France.

In 1955, a year after the birth of the National Liberation Front (FLN), Mahmoud was expelled from Algeria by the colonial authorities who feared his revolutionary speeches. At the age of 27, he arrived in the Algerian slum of Nanterre. Roughly questioned by FLN activists, in disagreement with the Algerian Nationalist Movement (MNA) who wanted to recognize theirs, he was then accepted as the local hairdresser and shoemaker. Subsequently, he became a driver during anti-MNA expeditions. Accepting increasingly dangerous missions, he is imprisoned by the French police and once again undergoes interrogations and special treatment by the police which will definitively undermine his sanity. One day, he no longer recognized his companions, and when joy broke out among the FLN militants, at the announcement of the signing of the Evian Accords, Mahmoud remained alone, frozen in an attitude of refusal, walled in his madness. Algeria has just won its independence.

In the middle of the Algerian war, Elise, from Bordeaux, “goes” to Paris to join her brother to earn her living in an automobile factory. There she meets Arezki, an Algerian nationalist activist with whom she falls in love. A chronicle of working life at the time and which highlights the extent of police repression against Algerians.

In Algiers, during the Algerian War of Independence, one of the leaders of the FLN was arrested by the French colonial army, which used the most violent methods to make the prisoners speak. The use of torture poses a conscience problem for a French officer. Playing shot-reverse-shot, between the tortured and his torturer, in a suffocating camera, Mohammed Lakhdar-Hamina approaches torture by drawing inspiration from the story of his father, who died of abuse.

Le Doigt Dans L'Engrenage is a film by Ahmed Rachedi, written by Rachid Boudjedra mixing fiction, filmed documents and interviews which recounts the arrival in Paris of an Algerian immigrant lost in the metro. On December 27, 1968, France and Algeria signed an agreement which admitted each year 35,000 Algerian workers to French territory in the France of the Trente Glorieuses where the annual growth rate reached 5% and where factories lacked workers. Candidates obtain a residence permit valid for 5 years for themselves and their families. Paris is committed to improving professional training and housing conditions for immigrants, too often confined to the most thankless jobs and often housed in slums. A testimony on the living conditions of emigrant workers "economic cannon fodder" of neocolonialism which simultaneously develops its alter ego, institutionalized racism, as a tool of social stagnation and division of the proletarian class.

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.

An unemployed Algerian worker leaves Paris by hitchhiking. He soon found himself in Brittany and, seduced by the beauty of wild gorse, eventually established himself as a gorse merchant. But for problems with parking his little cart, he had a rough explanation with a law enforcement officer. The happy intervention of factory workers, the eager kindness they showed him, saved him from despair. This film is part of a trilogy "Them And Us" with the films "Les 3 Cousins" and "Techniquement Si Simple".

Kamel, a young man, living in Bobigny, france, gets fired because he is a Muslim. His encounters with an old friend, Khaled leads him to box in a sport club, owned by Karim. But it's a cover for terrorists activities, since Karim sends young adults to Syria. Cops are investigating and find a link between Kamel and Karim...therefore, Kamel is a suspect.

Rachid, a North African immigrant worker in the Fayard company for several years, saved to bring his wife Leïla and their son Larbi. They arrive in France for the first time. Leïla full of hope came to join her husband in exile. But very quickly, it is the shock: the difficult working conditions, the hard daily life of her husband and the surrounding grayness marked by anti-Arab racism does not bode well. The 30-episode series was first broadcast on May 17, 1976 on TF1, and is the first French series to address immigrant issues in France.

A Warsaw-based Vietnamese cook struggles to fit into the European culture, which his ten-year-old daughter has already embraced as her own. A story about love, misunderstanding and food.