Nieuw Licht - Het Rijksmuseum en de Slavernij

The decades-long debate surrounding reparations is fraught, mired in racial tension and the semantics of restorative justice. While the national conversation remains stalled due to legislative inaction, communities across the country examine their histories and take it upon themselves to arrange their own form of reparations. This detailed investigation of restitution presents accounts of everyday people confronting the past and exploring the possibilities of wealth transfer.

JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg

Toma de Belchite y Teruel

A retired teacher investigates the shadowy history of his rural Missouri community, including the origins of a looming structure known as the Rockpile.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

Was the Christ Story stolen from other, older religions? Theologian Dr Robert Beckford investigates remarkable parallels between the stories of Jesus, Krishna, Buddha, Mithra, and other major religious entities, and examines how these similarities impact Christianity and its message.

How have the changing views on children been reflected in their representation in art? From Baby Jesus to the first photographic portraits, an exploration of six centuries of art history through the prism of childhood.

Buddhist monks open up about the joys and challenges of living out the precepts of the Buddha as a full-time vocation. Controversies swirling within modern monastic Buddhism are examined, from celibacy and the role of women to racism and concerns about the environment.

Focused on the experiences of Manuel "Manolo" Díaz Caballero, who was a local police officer in Malaga for more than 30 years, his memories of those years are the subject of this documentary.

La sombra del elefante

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

Documentary looking at a century of cycling. Commissioned to mark the arrival of the 2014 Tour de France in Yorkshire, the film makes full use of stunning British Film Institute footage to transport the audience on a journey from the invention of the modern bike, through the rise of recreational cycling, to gruelling competitive races. Award-winning director Daisy Asquith artfully combines the richly-diverse archive with a hypnotic soundtrack from cult composer Bill Nelson in a joyful, absorbing watch for both cycling and archive fans.

1968, The Socialist Republic of Romania. Women catch up on the latest tendencies in beachwear, the young hippies of Hamburg are harshly criticized by Romanian students, while Nicolae Ceaușescu reads the famous defiance speech against the intervention of the Warsaw Pact troops in Czechoslovakia. Floating solemnly over all this is The Internationale, sung on a stadium by a crowd of pioneers dressed in white shirts and red ties. A certainty for each probability: the documentary is at the same time a history lesson and an ideological warning sign, the director’s endeavour permanently draws our attention to the functions of the propaganda film, yet without tarnishing the fascination that dwells in the core of the images, that of the figures that wave at us from a past buried in commonplaces and political parti pris.

In 1980, the first march of gays, lesbians and transvestites took place in Brazil in protest against the constant police operations that took place in São Paulo, which aimed to repress these groups. Based on Renan Quinalha's doctoral thesis, “Against morality and good customs: the sexual politics of the Brazilian dictatorship (1964-1988)”, carried out by the Institute of International Relations, a series of four 5 minute videos about the birth of the LGBT movement during the Military Regime.

The Myth of the Black Woman is a feature-length documentary that examines the imagery of black women in the media, from the 18th century black slave to Michelle Obama. It is an investigation into how stereotypes originate from slavery and still affect the lives of black women in Quebec. These stereotypes include Jezebel (the seductress, the femme fatale); Mammie (the obese woman, the asexual mother figure) and Sapphire (the angry, ambitious and arrogant black woman). This story will be told by black women on whom stereotypes have a high impact, through interviews with fascinating experts, and through archival footage from centuries past to the present.

Kathy's family left on a Saturday morning in 1965. The rumble of bulldozers echoed through the neighborhood, and her block was empty. Federally-funded urban renewal had arrived in Charlottesville, scattering dozens of families like Kathy's. The once-vibrant African American community, built by formerly enslaved men and women who had secured a long-denied piece of the American dream, disappeared.

This short-form documentary focuses on the true story of Alfons Heck, who as an impressionable 10-year-old boy became a high-ranking member of the Hitler youth movement during World War II. The story is told in his own words. This film originally aired as part of the "America Undercover" series on HBO.

More than 2.000 years ago, Narbonne in today's Département Aude was the capital of a huge Roman province in Southern Gaul - Gallia Narbonensis. It was the second most important Roman port in the western Mediterranean and the town was one of the most important commercial hubs between the colonies and the Roman Empire, thus the town could boast a size rivaling that of the city that had established it: Rome itself. Paradoxically, the town that distinguished itself for its impressive architecture, today shows no more signs of it: neither temples, arenas, nor theaters. Far less significant Roman towns like Nîmes or Arles are full of ancient sites. Narbonne today is a tranquil town in Occitania

Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.

REVOLUTION OS tells the inside story of the hackers who rebelled against the proprietary software model and Microsoft to create GNU/Linux and the Open Source movement.