Saving Pelican 895

A film on the come back of exorcism in the contemporary world. Each year a growing number of people call their sense of unease “possession.” The Church answers to this spiritual emergency nominating an increasing number of exorcist priests and organizing training courses. Father Cataldo is one of the most sought-after exorcists in Sicily and elsewhere; he is famous for his tireless fighting spirit. Every Tuesday Gloria, Enrico, Anna, and Giulia, along with many others, attend Father Cataldo’s mass for deliverance, trying to find a cure for a sense of discomfort that has no answer nor a name. Whether believers or not, how far are we prepared to go to get recognition for our own disease? What are we prepared to do to be delivered from it, here and now?

They are single, widowed or divorced; they have had children, husbands, work; they have a life behind them, but also one to come… 'Ladies' reveals the intimate lives of five women in their sixties who are waging a discreet daily battle against solitude. It’s true that men often prefer younger women, it’s true that one feels invisible in a youth-oriented society, but these women are not washed up, far from it.

Shot on location in rural Southwestern Louisiana, Zydeco combines cinema verite style footage, interviews and musical performance to present a colorful, joyful portrait of the zydeco musicians in their culture. Featuring Dolon Carriere, Armand Ardoin, and Alphonse "Bois Sec" Ardoin. A film by Nicholas R. Spitzer. Color, 57 minutes.

OUT OF DARKNESS: THE MINE WORKERS' STORY is a documentary by Academy Award-winning director Barbara Kopple (HARLAN COUNTY, USA). Historical film footage and photographs are integrated with first-hand accounts of UMWA history and of the Pittston strike of 1989-90.

This 3-D film chronicles the love, community, and life of festival-goers during Electric Daisy Carnival Las Vegas, the largest music festival in the U.S. Behind-the-scenes footage and exclusive interviews with Insomniac's Pasquale Rotella reveal the magic that makes this three-night, 345,000-person event a global phenomenon.

Ever since 17-year-old Rachel Levy, an Israeli, was killed four years ago in Jerusalem by a Palestinian suicide bomber, her mother Abigail has found hardly a moment's peace. Levy's killer was Ayat al-Akhras, also 17, a schoolgirl from a Palestinian refugee camp several miles away. The two young women looked unbelievably alike. TO DIE IN JERUSALEM unabashedly explores the Palestinian-Israeli conflict through the personal loss of two families. The film's most revealing moment is in an emotionally charged meeting between the mothers of the girls, presenting the most current reflection of the conflict as seen thru their eyes.

Luis Martinetti, a contortionist suspended from acrobatic flying rings, contorts himself for about thirty seconds. This is one of the first films made for Edison's kinetoscopes.

Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels.

Two men have a contest to see which one can be the first to eat a large slice of watermelon.

Dragon smuggles North Korean defectors across borders for a living, and his latest undercover trip with Sook-Ja and Yong-hee takes an unexpected turn when they are left stranded in China. This is just the start of an extraordinary 5,000 km journey.

A filmmaker questions her own national identity.

Disinformation, ignorance and the lack of dissemination of the Catalan reality in the rest of Spain make it necessary for civil society to reach an understanding.

Interweaving the forms of personal filmmaking, abstract animation, and the rock opera, this animated musical documentary examines the rise and fall of a nearly-defunct poster and postcard wholesale business; the changing role of physical objects and virtual data in commerce; and the division (or lack of) between abstraction in fine art and psychedelic kitsch. Using alternate lyrics as voice over narration, the piece adopts the form of a popular rock album reinterpreted as a cine-performance.

This film is a gripping documentary exploration that humanizes the United States' tragically flawed immigration policy. The film follows the story of 3 Cambodian-American immigrants living in Seattle (who came as children in the early 80s, when a multitude of Cambodian refugees were given housing in the city's projects) whose teenage rebellions catch up with them in a horrific way.

Armed with a camera and eighteen clean pairs of underwear, Josefien Hendriks hitchhikes The Netherlands and askes passengers questions about faith, friendship, love and death.

MAJOR! follows the life and campaigns of Miss Major Griffin-Gracy, a 73-year-old Black transgender woman who has been fighting for the rights of trans women of color for over 40 years.

The film is a sort of presentation of Franco Fortini's book 'I Cani del Sinai'. Fortini, an Italian Jew, reads excerpts from the book about his alienation from Judaism and from the social relations around him, the rise of Fascism in Italy, the anti-Arab attitude of European culture. The images, mostly a series of Italian landscape shots, provide a backdrop that highlights the meaning of the text. - Fabrizio Sabidussi

He was and is, without doubt, Jamaica's finest export and in this programme we can reveal for the first time the behind the scenes Bob Marley that only his closest confidantes could know. To understand more about this iconic Jamaican his long time girlfriend and Oscar nominated actress Esther Anderson describes in some detail along with exclusive unpublished home video footage, their life together at home in Jamaica and of their time spent in Hope Road, London. Of all the people who considered themselves closest to him, Esther was probably the person who knew more about the man's innermost thoughts and fears than any; so much was she in tune with him she even helped to write some of his hit records. Also featured is the last interview he would ever give in the UK when journalist Kris Needs questions him about his foot injury (the injury that would eventually kill him) plus many other topics about which Marley held strong views.

The new film from celebrated documentarian Alanis Obomsawin (Kanehsatake: 270 Years of Resistance) chronicles the events following the filing of a human-rights complaint by a group of activists, which charged that the federal government's woefully inadequate funding of services for Indigenous children constituted a discriminatory practice.

Under the tutelage of anthropologist Franz Boas (her former Columbia professor) and Harlem Renaissance arts patron Charlotte Osgood Mason, Zora Neale Hurston spent nearly two years, from 1927 to 1929, studying the folkloric customs, work songs, spirituals, and vernacular language of African American communities along the River Road and from New Orleans to Florida.