During a family dinner, Marine, a young women firefighter and pyromaniac, and Simon, her brother who's suffering from depression, see each other again after a very long time. Hurt and scarred by a shared familial trauma, the siblings are gonna try to reconnect.
In the form of an allegory of society, the film denounces a system dominated by money and power relations while focusing on the violence that structures cause on human relations.
After being taken to the afterlife with his daughter, a father is trying everything to keep her from harm.
Bounced from her job, Erin Grant needs money if she's to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she'll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.
A headstrong young girl in Afghanistan, ruled by the Taliban, disguises herself as a boy in order to provide for her family.
Masked intruders take the family of a bank manager hostage in order to rob his bank.
The news that frames the two days in which the whole story takes place is bad. At first glance, these don't seem like the happiest two days. And yet, they are filled with comedy that is so entertaining and full of twists and turns. What's more, it's a comedy that finds strength in the hope that there is kindness and a deep desire for understanding and openness hidden in each of us. It's a story of our times (as the radio news reports quoted suggest), and yet it transcends our times; after all, it's not every day that the pope is kidnapped.
A recent high school graduate cares for his mother and navigates his first relationship in the wake of his father's suicide.
Margot Zeller is a short story writer with a sharp wit and an even sharper tongue. On the eve of her estranged sister Pauline's wedding to unemployed musician/artist/depressive Malcolm at the family seaside home, Margot shows up unexpectedly to rekindle the sisterly bond and offer her own brand of support. What ensues is a nakedly honest and subversively funny look at family dynamics.
Una Isla
A modern Filipino family in South Korea tries to mend its strained relationships when the father meets a hit-and-run accident and takes apart the car which wounded him.
Ping pong is this girl’s entire world. But away from home and on her own in college, she makes the bold move to share her family tradition with a special new someone.
Can you really get away with murder? Welcome to the world of Katrina, a 19-year-old single mum who's planning to do just that. Katrina lives in a world of petty crime, fast cars, manicures and blow-jobs. A master manipulator of men living at home with her father in suburban Golden Grove, Katrina will stop at nothing to get what she wants - even murder.
Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.
Gopan is living with his 6 year old son Ashok. His neighbor Celin falls in love with him. But he reveals that Ashok's mom is alive and he narrates his story.
Promising fund manager Jae-hoon is at the brink of losing everything when his company goes bankrupt. Overwhelmed by despair, he takes an impulsive trip to Australia where his wife and son live. As his trip nears its unexpected end, Jae-hoon gets a chance to look back on his life.
Experiencing their son’s life after his unnatural death while navigating their failing marriage; mourning parents Mira and Pradeep cannot overcome their grief but start to build their lives around it.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
A gigantic investment project brings assistant Frank Schröder back to his home, the border triangle. Torn between appropriation, small-mindedness and rivalries, his plan for a major collaboration threatens to fail. But Schröder does not give up and manages to turn things around. But then his boss wants to go wolf hunting.
A young man, in the midst of an existential crisis, goes to his uncle for help.